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Beheld what his high fancy once embraced, Virtue with colours, speech, and motion graced.

The sundry postures of thy copious muse, Who would express, a thousand tongues

must use:

Whose fate's no less peculiar than thy art;
For as thou couldst all characters impart,
So none can render thine, who still escapes,
Like Proteus in variety of shapes,
Who was nor this nor that, but all we find,
And all we can imagine in mankind.
E. WALLER,'

UPON THE POET OF HIS TIME

BENJAMIN JONSON,

HIS HONOURED FRIEND AND FATHER,

And is thy glass run out? is that oil spent, Which light to such tough sinewy labours lent?

Well, BEN, I now perceive that all the Nine, Though they their utmost forces should combine,

Cannot prevail 'gainst Night's three daughters, but

One still will spin, one wind, the other cut. Yet in despight of spindle, clue, and knife, Thou, in thy strenuous lines, hast got a life, Which, like thy bay, shall flourish every age, While sock or buskin move upon the stage. JAMES HOWELL,

AN OFFERTÓRY AT THE TOMB OF THE FAMOUS POET

BEN JONSON.

If souls departed lately hence do know How we perform the duties that we owe Their reliqués, will it not grieve thy spirit To see our dull devotion? thy merit Profaned by disproportioned rites? thy

herse

Rudely defiled with our unpolished verse? Necessity's our best excuse: 'tis in

Our understanding, not our will, we sin; 'Gainst which 'tis now in vain to labour, we Did nothing know, but what was taught by thee.

The routed soldiers when their captains fall

Forget all order, that men cannot call
It properly a battle that they fight;
Nor we (thou being dead) be said to write.
'Tis noise we utter, nothing can be sung
By those distinctly that have lost their
tongue;

And therefore whatsoe'er the subject be,
All verses now become thy ELEGY:
For, when a lifeless poem shall be read,
Th' afflicted reader sighs, BEN JONSON'S
dead.

This is thy glory, that no pen can raise
A lasting trophy in thy honoured praise ;
Since fate (it seems) would have it so ex-
prest,

Each muse should end with thine, who was the best :

And but her flights were stronger, and so high,

That time's rude hand cannot reach her glory,

An ignorance had spread this age, as great As that which made thy learned muse so sweat,

And toil to dissipate; until, at length, Purged by thy art, it gained a lasting strength;

And now, secured by thy all-powerful writ, Can fear no more a like relapse of wit :

Though (to our grief) we ever must despair,

That any age can raise thee up an heir. JOHN VERNON.3 è Societ. In. Temp.

TO THE

MEMORY OF BEN JONSON.

The Muses' fairest light in no dark time; The wonder of a learned age; the line Which none can pass; the most proportioned wit

To nature, the best judge of what was fit; The deepest, plainest, highest, clearest pen; The voice most echoed by consenting men; The soul which answered best to all well said

By others, and which most requital made;

1 Edmund Waller born in 1605, died of a and was buried in the Temple Church.-GILdropsy, the 1st October, 1687.-GILCHRIST.

James Howell, the author of "Familiar Epistles," is so well known that it seems scarcely necessary to say more than that he was born at Abernant, in Carnarvonshire, educated at Jesus College, Oxford, and died in November, 1666

CHRIST.

3 John Vernon was the son and heir of Robert Vernon, of Camberwell, in the county of Surrey, Knt.; he was admitted of the Inner Temple the 15th October, 2nd Charles I. (1626), and was called to the bar the 15th October, 1634.-GIL

CHRIST.

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We must be ravished first; thou must infuse

Thyself into us both the theme and muse. Else (though we all conspired to make thy herse

Our works), so that 't had been but one great verse,

Though the priest had translated for that time

The liturgy, and buried thee in rhyme,
So that, in metre we had heard it said,
Poetic dust is to poetic laid :
And though, that dust being Shakspeare's,
thou might'st have

Not his room, but the poet for thy grave;
So that, as thou didst prince of numbers

die

And live, so now thou might'st in numbers lie,

"Twere frail solemnity: verses on thee And not like thine, would but kind libels be;

And we (not speaking thy whole worth) should raise

Worse blots, than they that envied thy praise.

Indeed, thou need'st us not, since above all

Invention, thou wert thine own funeral.

Hereafter, when time hath fed on thy tomb,

Th' inscription worn out, and the marble dumb,

So that 'twould pose a critic to restore Half words, and words expired so long before;

When thy maimed statue hath a sentenced face,

And looks that are the horror of the place,
That 'twill be learning, and antiquity,
And ask a SELDEN to say, this was thee,
Thou'lt have a whole name still, nor need'st
thou fear

That will be ruined, or lose nose, or hair.

Let others write so thin, that they can't be Authors till rotten, no posterity

Can add to thy works; they had their whole growth then

When first born, and came aged from thy pen.

person under restraint, the dignified and manly terms in which he remonstrated with Cromwell, and which under a meaner usurper would have put his life in jeopardy, extorted from the Protector his liberty. He was born at Loughborough in 1613, educated at Christ's and St. John's Colleges, Cambridge, and died in Gray's Inn, on the 29th April, 1658:-greatly lamented by the royalists.-GILCHRIST.

Whilst living thou enjoyedst the fame and

sense

Of all that time gives, but the reverence. When thou'rt of Homer's years, no man will say

Thy poems are less worthy, but more gray: "Tis bastard poetry, and of false blood Which can't, without succession, be good. Things that will always last, do thus agree With things eternal; th' at once perfect be. Scorn then their censures, who gave out, thy wit

As long upon a comedy did sit

As elephants bring forth; and that thy blots

And mendings took more time than Fortune plots:

That such thy drought was, and so great thy thirst,

That all thy plays were drawn at the maid first;

Since of some silken judgments we may say,
They filled a box two hours, but saw no
play.

So that th' unlearned lost their money; and
Scholars saved only, that could understand.
Thy scene was free from monsters; no
hard plot

Called down a God t' untie th' unlikely knot:
The stage was still a stage, two entrances
Were not two parts o' the world, disjoined
by seas.

Thine were land-tragedies, no prince was
found

To swim a whole scene out, then o' the stage drowned;

Pitched fields, as Red Bull wars, still felt thy doom;

Thou laid'st no sieges to the music room; Nor wouldst allow, to thy best Comedies, Mer-Humours that should above the people rise. Yet was thy language and thy style so high, Thy sock to th' ancle, buskin reached to th' thigh;

That the king's yearly butt wrote, and his wine

Hath more right than thou to thy CATI

LINE.

Let such men keep a diet, let their wit
Be racked, and while they write, suffer a fit:
When they've felt tortures which out-pain
the gout,

Such as with less, the state draws treason
out;

Though they should the length of con-
sumptions lie

Sick of their verse, and of their poem die,
"Twould not be thy worse scene, but would
at last

Confirm their boastings, and shew made in
haste.

He that writes well, writes quick, since
the rule's true,

Nothing is slowly done, that's always new.
So when thy Fox had ten times acted been,
Each day was first, but that 'twas cheaper
seen ;1

And so thy ALCHEMIST played o'er and o'er,
Was new o' the stage, when 'twas not at
the door.

We, like the actors, did repeat; the pit
The first time saw, the next conceived thy

wit:

Which was cast in those forms, such rules, such arts,

That but to some not half thy acts were parts:

1 [Meaning that each day was as crowded as the first had been, only that the spectators were admitted at a cheaper rate than on the first day. -J. P. COLLIER.]

And both so chaste, so 'bove dramatic clean,
That we both safely saw, and lived thy

scene.

No foul loose line did prostitute thy wit, Thou wrot'st thy comedies, didst not commit.

We did the vice arraigned not tempting hear,

And were made judges, not bad parts by th' ear.

For thou ev'n sin did in such words array, That some who came bad parts, went out good play.

Which, ended not with th' epilogue, the age Still acted, which grew innocent from the stage.

'Tis true thou hadst some sharpness, but
thy salt

Served but with pleasure to reform the fault:
Men were laughed into virtue, and none

more

|
Hated Face acted than were such before.
So did thy sting not blood, but humours
draw,

So much doth satire more correct than law;
Which was not nature in thee, as some call
Thy teeth, who say thy wit lay in thy gall:
That thou didst quarrel first, and then, in
spite,

Didst 'gainst a person of such vices write;
That 'twas revenge, not truth; that on the

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We know thy free vein had this innocence,
To spare the party, and to brand th' of-
fence;

And the just indignation thou wert in
Did not expose Shift, but his tricks and gin.
Thou mightst have used th' old comic free-
dom, these

Might have seen themselves played like
Socrates;

Like Cleon, Mammon might the knight
have been,

If, as Greek authors, thou hadst turned
Greek spleen;

And hadst not chosen rather to translate
Their learning into English, not their hate:
Indeed this last, if thou hadst been bereft
Of thy humanity, might be called theft;
The other was not; whatsoe'er was strange,
Or borrowed in thee: did grow thine by the
change,

Who without Latin helps hadst been as

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And what can more be hoped, since that
divine

Free filling spirit took its flight with thine?
Men may have fury, but no raptures now;
Like witches, charm, yet not know whence
nor how ;

And, through distemper, grown not strong
but fierce,

Instead of writing, only rave in verse: Which when by thy laws judged, 'twill be confessed,

'Twas not to be inspired, but be possessed. Where shall we find a muse like thine,

that can

So well present and shew man unto man,
That each one finds his twin, and thinks
thy art

Extends not to the gestures but the heart?
Where one so shewing life to life, that we
Think thou taught'st custom, and not cus-
tom thee?

Manners, that were themes to thy scenes
still flow

In the same stream, and are their com-
ments now:

These times thus living o'er thy models, we
Think them not so much wit, as prophecy;
And though we know the character, may

swear

A Sybil's finger hath been busy there,

Things common thou speak'st proper, which though known

For public, stampt by thee grow thence thine own:

Thy thoughts so ordered, so expressed, that

we

Conclude that thou didst not discourse, but

see,

Language so mastered, that thy numerous
feet,

Laden with genuine words, do always meet
Each in his art; nothing unfit doth fall,
Shewing the poet, like the wiseman, All.
Thine equal skill thus wresting nothing,
made

Thy pen seem not so much to write as
trade.

That life, that Venus of all things, which

we

Conceive or shew, proportioned decency,

Jasper Mayne, whose entertaining comedies siding, was restored to his livings, made Canon have endeared his name to dramatic readers, of Christ Church and Archdeacon of Chichester. was born at Hatherly in Devon, 1604, educated He died the 6th December, 1672. His character at Westminster, and afterwards at Christ Church, has been thus briefly and boldly sketched: In Oxford, where he took the degrees of B.A. 1628, genio sanè fœlicissimo et eruditione propemoand M.A. 1631. Ejected from his vicarages of dum omnigena locupletato, fruebatur; theolo Pyrton and Cassington by the Parliamentary gus accurate doctus et annunciator evangelit visitors, he found an asylum under the roof of disertus: Poeta porro non incelebris et ob sales the Earl of Devonshire, and the storm sub-ac facetias in precio habitus."-Gilchrist.

Is not found scattered in thee here and there,

But, like the soul, is wholly everywhere. No strange perplexed maze does pass for plot,

Thou always dost untie, not cut the knot. Thy labyrinth's doors are opened by one thread

That ties, and runs through all that's done or said:

No power comes down with learned hat and rod,

Wit only, and contrivance is thy god.

'Tis easy to gild gold; there's small skill spent

Where even the first rude mass is ornament:

Thy muse took harder metals, purged and boiled,

Laboured and tried, heated, and beat and toiled,

Sifted the dross, filed roughness, then gave dress,

Vexing rude subjects into comeliness.
Be it thy glory then, that we may say,
Thou run'st where th' foot was hindered by
the way.

Nor dost thou pour out, but dispense thy vein,

Skilled when to spare, and when to entertain:

Not like our wits, who into one piece do Throw all that they can say, and their friends too;

Pumping theinselves, for one term's noise so dry,

Thy thunders thus but purge, and we endure

Thy lancings better than another's cure; And justly too: for th' age grows more unsound

From the fool's balsam, than the wiseman's wound.

No rotten talk brokes for a laugh; no

page

Commenced man by th' instructions of thy stage;

No bargaining line there; provoc'tive

verse;

Nothing but what Lucretia might rehearse; No need to make good countenance ill, and

use

The plea of strict life for a looser muse.
No woman ruled thy quill; we can descry
No verse born under any Cynthia's eye:
Thy star was judgment only, and right

sense,

Thyself being to thyself an influence. Stout beauty is thy grace; stern pleasures do

Present delights, but mingle horrors too : Thy muse doth thus like Jove's fierce girl appear,

With a fair hand, but grasping of a spear. Where are they now that cry, thy lamp

did drink

More oil than the author wine, while he did think?

We do embrace their slander: thou hast writ

Not for dispatch but fame; no market wit: 'Twas not thy care, that it might pass and sell,

As if they made their wills in poetry.
And such spruce compositions press the But that it might endure, and be done well:
stage,
Nor wouldst thou venture it unto the ear,

When men transcribe themselves, and not Until the file would not make smooth, but

the age:

Both sorts of plays are thus like pictures shewn,

Thine of the common life, theirs of their

own.

Thy models yet are not so framed, as we May call them libels, and not imag'ry; No name on any basis: 'tis thy skill To strike the vice, but spare the person still.

As he, who when he saw the serpent wreathed

About his sleeping son, and as he breathed, Drink in his soul, did so the shot contrive, To kill the beast, but keep the child alive: So dost thou aim thy darts, which, even when

They kill the poisons, do but wake the

men:

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