The Life and Times of Salvator Rosa, 1. sējumsH. Colburn, 1824 |
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Abruzzi admiration Angelo artists Baldinucci banditti Barberini beautiful became Bernini biographers Brancaccia brilliant called cantata Caracci Caravaggio Cardinal Carlo Rossi Carnival celebrated character church Claude Claude Lorraine court Coviello degradation Domenichino executed eyes Falcone fame fashion favour feelings felucca Francanzani gabelle gallery genius Giuseppe Ribera grand Guercino habits honour human humour indignation influence Italian Italy landscapes Lanfranco living Luigi Rossi Madonna manner Masaniello master mediocrity melancholy ment merit moral Naples native nature Neapolitan never Nicholas Poussin noble painter painting palace Pascoli Passeri passion patronage pencil persecution philosophy Piazza Navona picture pittore poet poetical poetry Pope Poussin powerful princes profession Prometheus pupils racter Raphael Renella Roman Rome Saint Salvator Rosa Salvator's Salvatoriello satires says Passeri scenes seventeenth century Signor singular sketches society Spagnuoletto spirit splendid talents taste temperament tion troops ture vator Viceroy virtuosi wont young youth
Populāri fragmenti
158. lappuse - And she went, and sat her down over against him a good way off, as it were a bowshot: for she said, Let me not see the death of the child, And she sat over against him, and lift up her voice, and wept.
240. lappuse - The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless.
270. lappuse - Bernini, the Florentine sculptor, architect, painter and poet, a little before my coming to Rome, gave a public opera, wherein he painted the scenes, cut the statues, invented the engines, composed the music, writ the comedy and built the theatre.
11. lappuse - Trinity upon them, shall be forthwith burnt. Ordered, that all such pictures there as have the representation of the Virgin Mary upon them, shall be forthwith burnt.
82. lappuse - Little did he then dream that posterity would apply the rigid rules of criticism to the "idle visions" of his boyish fancy ; or that his bars and basses would be conned and analyzed by the learned umpires of future ages, — declared, " not only admirable for a dilettante," but " in point of melody superior to that of most of the masters of his time*.
249. lappuse - Towards the close of the Carnival of 1639, when the spirits of the revellers (as is always the case in Rome) were making a brilliant rally for the representations of the last week, a car, or stage, highly ornamented, drawn by oxen, and occupied by a masked troop, attracted universal attention by its novelty and singular representations. The principal personage announced himself as a certain Signor Formica, a Neapolitan actor, who in the character of Coviello...
297. lappuse - Tiberine territories ; and the broad foliage of his elegant plantains, his limpid fountains and silver streamlets, his gentle undulations and fair pavilions, his perpetual verdure and cool skies, tempered down to the delicacy of his Arcadian figures,* exhibited a nature chosen and selected with practised judgment, such as she is seen in the descriptions of Tasso, of the fairy gardens of the voluptuous Armida. In the works of both these illustrious masters, in the radiant sun-lights of Claude, and...
345. lappuse - A high demeanour, and a glance that took Their thoughts from others by a single look ; And that sarcastic levity of tongue, The stinging of a heart the world hath stung...
93. lappuse - Francanzani was wont, on the arrival of his brother-in-law, to rifle the contents of his portfolio ; and he frequently found there compositions hastily thrown together, but selected, drawn, and coloured with a boldness and a breadth, which indicated the confidence of a genius sure of itself. The first accents of " the thrilling melody of sweet renown...
84. lappuse - L' un a me noce, e l' altro Altrui, ch' io non lo scaltro. Dolci rime leggiadre Che nel primiero assalto D