Copyright in Computer-readable Works: Policy Impacts of Technological Change, 17. izdevums;500. izdevumsU.S. Department of Commerce, National Bureau of Standards, 1977 - 264 lappuses |
No grāmatas satura
1.–5. rezultāts no 35.
v. lappuse
... Recordings . • • 3.2.1 Copyrighted Music in Sound Tracks .. 3.2.2 Educational and Library Reproduction of Phonorecords . .. 3.3 Copyright in Motion Pictures 3.3.1 Sound Tracks in Motion Pictures 15 • 15 · 15 • 17 • 17 . 17 18 3.4 Radio ...
... Recordings . • • 3.2.1 Copyrighted Music in Sound Tracks .. 3.2.2 Educational and Library Reproduction of Phonorecords . .. 3.3 Copyright in Motion Pictures 3.3.1 Sound Tracks in Motion Pictures 15 • 15 · 15 • 17 • 17 . 17 18 3.4 Radio ...
vii. lappuse
... Recordings 5.8.2 The Right to Make and Use Machine Code . 5.8.3 Differential Pricing . . . 65 65 . 66 66 5.8.4 Data Base Access Services • 67 67 Protection of Object Code as a Computer Program 5.7.5 Translation to a New Source Language ...
... Recordings 5.8.2 The Right to Make and Use Machine Code . 5.8.3 Differential Pricing . . . 65 65 . 66 66 5.8.4 Data Base Access Services • 67 67 Protection of Object Code as a Computer Program 5.7.5 Translation to a New Source Language ...
15. lappuse
... recording without that equipment or other equipment performing the same function . In effect , the piano used with the piano roll is the playback equipment . However , sound recordings were not a protected class in 1908 and the Supreme ...
... recording without that equipment or other equipment performing the same function . In effect , the piano used with the piano roll is the playback equipment . However , sound recordings were not a protected class in 1908 and the Supreme ...
16. lappuse
... recording monopoly . However , this did not mean , necessarily , that recordings of musical compositions were copyrightable . They were not , strictly speaking , even though no one could lawfully manufacture records of copyrighted music ...
... recording monopoly . However , this did not mean , necessarily , that recordings of musical compositions were copyrightable . They were not , strictly speaking , even though no one could lawfully manufacture records of copyrighted music ...
17. lappuse
... recording for use of a performance of copyrighted music in a sound track of a motion picture . Clearly , in 1909 , when the compulsory license for music recordings be- came law , sound tracks in motion pictures were unknown ...
... recording for use of a performance of copyrighted music in a sound track of a motion picture . Clearly , in 1909 , when the compulsory license for music recordings be- came law , sound tracks in motion pictures were unknown ...
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1976 General Revision abstracts ASCAP authors blanket licensing broadcast cable system cable television CATV clearinghouse compilations compulsory license computer programs computer storage computer systems computer-readable computerized STI systems Congress constitute Copyright Act copyright law Copyright Office copyright owners copyright protection copyright statute copyrighted documents copyrighted material disc distribution economic effect enacted exclusive right fair individual infringement input institutional interest groups issues journals judicial jukebox legislation library subscriptions machine machine-readable copy magnetic tape marginal cost mechanisms monopoly motion picture object code obtain Ordover output p₁ payment per-use personal subscription phonorecords photocopying potential subscribers printout problem producers profit maximizing public performance publishers purpose question radio registration reproduction retransmissions revision bills royalty fee Section Section 107 SESAC sound recordings sound tracks specific statutory STI data bases storage subscription prices Supreme Court television tion transaction costs usage fee users White-Smith