Neptune's Triumph for the Return of Albion. CELEBRATED IN A MASQUE AT THE COURT ON THE TWELFTH NIGHT, 1624. Omnis et ad reducem jam litat ara Deum.-MART. Lib. viii. Epig. xiv. NEPTUNE'S TRIUMPH, &c.] Charles (i.e., Albion) returned from his ill-fated expe dition to Spain on the fifth of October in the preceding year (1623). Before this Masque appeared, the Spanish match was completely broken off, and James, who had long set his heart upon it, and for several years honestly and sedulously laboured to effect it, wearied out at length by the interminable juggling of the court of Spain, was by this time reconciled to the disappointment. Neptune's Triumph appears to have been celebrated with uncommon magnificence. All hearts and hands were in it; and the Spanish influence then received a check, from which it has not recovered to this day. Cook. Do you hear, you creature of diligence and business! what is the affair that you pluck for so under your cloke? Poet. Nothing but what I colour for, I assure you; and may encounter with, I hope, if luck favour me, the gamester's goddess. Cook. You are a votary of hers, it seems, by your language. What went you upon, may a man ask you? Poet. Certainties, indeed, sir, and very good ones; the representation of a masque; you'll see't anon. VOL. III. Cook. Sir, this is my room, and region too, the Banqueting-house. And in matter of feast, the solemnity, nothing is to be presented here but with my acquaintance and allowance to it. Poet. You are not his majesty's confectioner, are you? Cook. No, but one that has as good title to the room, his Master-cook. What are you, sir? Poet. The most unprofitable of his servants, I sir, the Poet. A kind of a Christmas ingine: one that is used at least once a year, for a trifling instrument of wit or so. Cook. Were you ever a cook? Cook. Then you can be no good poet : for a good poet differs nothing at all from a master-cook. Either's art is the wisdom of the mind. Poet. As how, sir? Cook. Expect. I am by my place to know how to please the palates of the guests; so you are to know the palate of the times; study the several tastes, what every nation, the Spaniard, the Dutch, the N French, the Walloun, the Neapolitan, the Briton, the Sicilian, can expect from you. Poet. That were a heavy and hard task, to satisfy Expectation, who is so severe an exactress of duties; ever a tyrannous mistress, and most times a pressing enemy. Cook. She is a powerful great lady, sir, at all times, and must be satisfied: so must her sister, Madam Curiosity, who hath as dainty a palate as she; and these will expect. Poet. But what if they expect more than they understand? Cook. That's all one, Master Poet, you are bound to satisfy them. For there is a palate of the understanding as well as of the senses. The taste is taken with good relishes, the sight with fair objects, the hearing with delicate sounds, the smelling with pure scents, the feeling with soft and plump bodies, but the understanding with all these; for all which you must begin at the kitchen. There the art of Poetry was learned and found out, or nowhere; and the same day with the art of Cookery. Poet. I should have given it rather to the cellar, if my suffrage had been asked. Cook. O, you are for the oracle of the bottle, I see; hogshead Trismegistus; he is your Pegasus. Thence flows the spring of your muses, from that hoof. Seduced Poet, I do say to thee A boiler, range, and dresser were the fountains Of all the knowledge in the universe, And that's the kitchen. What! a mastercook! Thou dost not know the man, nor canst thou know him, That's both the nurse and mother of the arts, And heard'st him read, interpret, and demonstrate. A master-cook !! why, he's the man of men, Mounts marrow-bones; cuts fifty-angled custards; Rears bulwark pies; and, for his outer works, He raiseth ramparts of immortal crust; Or bare-breeched brethren of the Rosy Poet. As you came in upon me, I was then Till thou hast served some years in that Offering the argument, and this it is. deep school Cook. Silence. A master-cook, &c.] Cartwright has re-apparent seriousness with which his cook deduced this into practice in his Ordinary, and scants on the importance of his profession adds furnished out a military dinner with great plea-greatly to its genuine humour. The concluding santry, at the expense of Have-at-all, who is lines are very amusing: desirous to grow valiant, as lawyers do learned, by eating. This speech is also closely imitated by the master-cook in Fletcher's tragedy of Ballo Duke of Normandy. And teacheth all the tactics at one dinner.] This seems to be taken from the poet Posidippus, who in Athenæus compares a good cook to a good general: Αγαθου στρατηγου διαφέρειν ουδεν δοκεί. And Athenion in like manner (see Athenæus, 114, C. 23) attributes to the art of cookery, and kitchen-philosophy, what the poets assign to the legislators of society and the first founders of states and commonwealths.-WHAL, The Greek poet is truly excellent; and the Καταρχομεθ' ἡμεῖς οἱ μαγειροι, θυομεν, Σπονδας ποιουμεν, τω μαλιςτα τους θεους Ημιν ὑπακουειν, δια το ταυθ' ευρηκεναι Τα μαλιςτα συντείνοντα προς το ζην καλως. "We slay the victims, We pour the free libations, and to us The gods themselves lend a propitious ear; And, for our special merits, scatter blessings On all the human race, because from us And from our art, mankind was first induced To live the life of reason." " There is no translating the sly felicity of (nv Kaλws, which looks, at the same time, to good morals and good eating. 1 With divine Proteus, &c.] This, I believe, was Sir Francis Cottington. He had been secretary to Sir Charles Cornwallis, and was at this time private secretary to the Prince; he was well versed in political affairs, and particularly in those of Spain, where he had resided many years in a public capacity. Who for it, under so much envy, burned What Neptune did impose, to him was law." To mix this music with the vulgar's chime. And every songster had sung out his fit; And Neptune's guard had drunk all that That all the tales and stories now were old Cook. I like it well, 'tis handsome; and Something would fit this. How do you In a fine island, say you? Poet. Yes, a Delos ! Such as when fair Latona fell in travail, Cook. I conceive you. I would have had your isle brought float- In a brave broth,5 and of a sprightly green, tricks of the monkey. Howell, who was at Madrid during the Prince's visit, says in one of his letters, "Our cousin Archy hath more privilege here than any, for he often goes with his fool's coat where the Infanta is with her Meninos and ladies of honour, and keeps a blowing and blustering among them, and flurts How near our general joy was to be lost.] out what he lists." In conclusion, he gives a This alludes to the storm which took place on specimen of his ill-manners, which must have the Spanish coast, and in which the Prince, to-been offensive in the highest degree. Book I. gether with a number of the Spanish nobility who came to take leave of him, was nearly wrecked. The other dangers which Charles is said to have encountered are probably exaggerated by the "poet." 8 That with him loyal Hippius is returned.] By Hippius is meant the Duke of Buckingham, master of the horse to Janies I., who accompanied the Prince into Spain, to which this speech alludes.-WHAL. Archibald 4 Of the sea-monster, Archy.] Armstrong, the court jester, who followed the Prince into Spain. Charles seems to have taken a strange fancy to this buffoon, who joined the lett. 18. 5 In a brave broth With an Arion mounted on the back "For fish, I'll make a standing lake of white And pikes come ploughing up the plumbs Arion on a dolphin, playing Lachrymæ," &c. surly savageness of the bear to the mischievous Mr. Weber has happily discovered the pronomen Some twenty Syrens, singing in the kettle, A special service here, an antimasque, A metaphorical dish! and do but mark O, 'twould have made such music! Have How a good wit may jump with you. Are you nothing But a bare island? Poet. Yes, we have a tree too, To certain cubits height, from every side Spring up new boles, and these spring Till the whole tree become a porticus, A numerous troop, such as our Albion, Cook. Your prime Masquers? Poet. Yes. you ready, child? (Had there been masque, or no masque, I had made it.) Child of the boiling-house! the affairs, The clouds, the cortines, and the mysteries That are afoot, and from what hands they have them, The master of the elephant, or the camels: the posts Cook. But where's your Antimasque now What correspondences are held; all this while? I hearken after them. Poet. Faith, we have none. Cook. None! That go and come, and know almost their minutes, All but their business: therein they are fishes; Poet. None, I assure you, neither do I But have their garlic, as the proverb says. think them A worthy part of presentation, Being things so heterogene to all device, Mere by-works, and at best outlandish nothings. Cook. O, you are all the heaven awry, For blood of poetry running in your veins, of this celebrated musician. He was called, it seems, Bike Arion, without the Mr.-"Bike," as he aptly observes, "which signifies a hive of bees, is not in the least applicable, for which reason I must leave it to the reader." This is kind; but Mr. Weber is unjust to the merits of his own text. Does he not know that bees will swarm to a brass kettle? How much rather then to the harp of Arion! Hence the name. The verse stands thus in his precious edition (vol. ii. p. 55): 66 'Ride like Bike Arion on a trout to London." Former editors, whom Mr. Weber treats with all the contempt which his superior attainments justify him in assuming, had supposed that bike (which destroys the metre) was merely an acci They are our Quest of Enquiry after news. And of the epicone gender, hees and Amphibion Archy is the chief. The child is learned too: note but the Have you put him into the pot for garlic ? Boy. One in his coat shall stink as And, brother poet, though the serious part strong as he, sir, And his friend Giblets with him. Cook. They are two, That give a part of the seasoning. The way of your gallimaufry. Cook. You will like it, When they come pouring out of the pot together. Boy. O, if the pot had been big enough! Cook. What then, child? Boy. I had put in the elephant, and one camel Be yours, yet envy not the cook his art. Poet. Not I: nam lusus ipse Triumphus amat. Here the ANTIMASQUE is danced by the persons described, coming out of the pot. Poet. Well, now expect the Scene itself; it opens ! The island of DELOS is discovered, the MASQUERS sitting in their several sieges. The heavens opening, and APOLLO with MERCURY, some of the Muses and the goddess HARMONY, make the music: the whole island moves forward, PROTEUS sitting below, and APOLLO sings. SONG. And of the ports that keep'st the keys, Apol. Look forth, the shepherd of the seas, And to your Neptune tell, For whom the sea and land so smiles, Is home returned well. Grand Cho. And be it thought no com mon cause, That to it so much wonder draws, And all the heavens consent, With Harmony, to tune their notes In answer to the public votes That for it up were sent. Or tyrant's malice of the age, That did employ him forth : By this time the island hath joined itself with the shore: and PROTEUS, PORTUNUS, and SARON come forth; and go up singing to the state, while the Masquers take time to land. |