Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens CreativityNYU Press, 2001. gada 1. aug. - 255 lappuses An in-depth look at American copyright law and the flaws of its current legal framework |
No grāmatas satura
1.5. rezultāts no 50.
... recording was not a true parody and thus was not protected by the fair use provision of the copyright law. In an ... Record companies in the 1980s stalled the introduction of digital audio taping equipment into the consumer market ...
... of the twentieth century saw the invention of phonographs and recording machines. Ragtime composers, who mastered their art through communal creativity and an emphasis on style, suddenly had to come to terms with 12 INTRODUCTION.
... record companies, tended to sample obscure songs. Licensing fees fluctuated irregularly, and no one could safely predict the penalty for unauthorized sampling. On any given day, a rap artist might have gotten ripped off by an overpriced ...
... record companies want to concede. However, the widespread public perception that copyright law protects ideas, information, and data has a chilling effect on journalism, scholarship, analysis, criticism, and debate. PATENTS,TRADEMARKS ...
... record, so that others might benefit from new or newly applied knowledge. In exchange for the public service of disclosure, the patent holder temporarily receives exclusive rights to make, sell, and authorize others to make or sell the ...
Saturs
1 | |
17 | |
35 | |
3 Celluloid Copyright and Derivative Works or How toStop 12 Monkeys with One Chair | 81 |
American Music Challengesthe Copyright Tradition | 117 |
The End of Copyright? | 149 |
The Summer without Martha Graham | 185 |
Notes | 191 |
Index | 231 |
About the Author | 243 |
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Copyrights and Copywrongs: The Rise of Intellectual Property and How it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2001 |
Copyrights and Copywrongs: The Rise of Intellectual Property and how it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2003 |