Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens CreativityNYU Press, 2001. gada 1. aug. - 255 lappuses An in-depth look at American copyright law and the flaws of its current legal framework |
No grāmatas satura
1.–5. rezultāts no 47.
... called “Casablanca” when the name had for centuries been firmly attached to the Moroccan city. Marx declared that he had recently discovered that in 1471 Ferdinand Balboa Warner, the great-grandfather of the Warners, had stumbled upon ...
... called for a reinvigoration of local public spheres. The public should be better educated to be able to distinguish between solid description and mere stereotypes, Dewey argued, and a broader cross-section of the public must be included ...
... called “The Death of the Author,” opened a line of exploration that means to understand how European and American literary culture has arrived at its common definitions and system of rewards for an author. Barthes wrote his essay to ...
... called “intellectual property.” Although they have different philosophical foundations and histories, copyright has become bound in practice to such areas of the law as trademark regulation, patent law, unfair competition law, and trade ...
... called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispose himself of it. Jefferson ...
Saturs
1 | |
17 | |
35 | |
3 Celluloid Copyright and Derivative Works or How toStop 12 Monkeys with One Chair | 81 |
American Music Challengesthe Copyright Tradition | 117 |
The End of Copyright? | 149 |
The Summer without Martha Graham | 185 |
Notes | 191 |
Index | 231 |
About the Author | 243 |
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Copyrights and Copywrongs: The Rise of Intellectual Property and How it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2001 |
Copyrights and Copywrongs: The Rise of Intellectual Property and how it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2003 |