Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens CreativityNYU Press, 2001. gada 1. aug. - 255 lappuses An in-depth look at American copyright law and the flaws of its current legal framework |
No grāmatas satura
1.–5. rezultāts no 45.
... authorship are powerful and important. Yet raising these questions is not sufficient. There is much more work to be done.9 For most people and in most usages, an “author” is an obvious concept. An author is a person who writes something ...
... author is a person who writes something. If prompted, many people will elaborate on the notion by differentiating a ... authorship, Barthes called for a different way of understanding the process of reading: as a game played entirely by ...
... authorship” is misguided because romantic authorship neither explains many of the most important changes in copyright law over the past two hundred years nor prescribes a way to improve the ways copyright law works.12 A seventeen-year ...
... author” as we traditionally imagine. Still, we must deal with the “producer” in some form, in court if nowhere else ... authorship with our dull scholarly bayonets, we will miss the important issues: ownership, control, access, and use ...
... authorship, originality, use, and access to ideas and expressions become framed in the terms of “property rights”? The discussion ends. There is no powerful property argument that can persuade a people concerned about rewarding ...
Saturs
1 | |
17 | |
35 | |
3 Celluloid Copyright and Derivative Works or How toStop 12 Monkeys with One Chair | 81 |
American Music Challengesthe Copyright Tradition | 117 |
The End of Copyright? | 149 |
The Summer without Martha Graham | 185 |
Notes | 191 |
Index | 231 |
About the Author | 243 |
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Copyrights and Copywrongs: The Rise of Intellectual Property and How it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2001 |
Copyrights and Copywrongs: The Rise of Intellectual Property and how it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2003 |