Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens CreativityNYU Press, 2001. gada 1. aug. - 255 lappuses An in-depth look at American copyright law and the flaws of its current legal framework |
No grāmatas satura
1.–5. rezultāts no 13.
... Warner Brothers studios. The letter warned Marx that his next film project, A Night in Casablanca, might encroach on the Warners' rights to their 1942 film Casablanca. The letter prompted a reply from Marx that ridiculed many of the ...
... Warner if he was the first “Jack,” citing Jack the Ripper as a possible precursor. Marx told Harry Warner that he had known several Harrys in his life, so Harry Warner might have to relinquish his title as well. Marx concluded his ...
... Warner explains in his book The Letters of the Republic, the idea of a public sphere was central to early American republican ideology, the same ideology that produced and justified American copyright law. The emergence of an ...
... Warner, and Walt Disney? We can deconstruct the author for six more decades and still fail to prevent the impending concentration of the content, ownership, control, and delivery of literature, music, and data. As law professor Mark ...
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Saturs
1 | |
17 | |
35 | |
3 Celluloid Copyright and Derivative Works or How toStop 12 Monkeys with One Chair | 81 |
American Music Challengesthe Copyright Tradition | 117 |
The End of Copyright? | 149 |
The Summer without Martha Graham | 185 |
Notes | 191 |
Index | 231 |
About the Author | 243 |
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Copyrights and Copywrongs: The Rise of Intellectual Property and How it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2001 |
Copyrights and Copywrongs: The Rise of Intellectual Property and how it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2003 |