Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens CreativityNYU Press, 2001. gada 1. aug. - 255 lappuses An in-depth look at American copyright law and the flaws of its current legal framework |
No grāmatas satura
1.–5. rezultāts no 13.
... Supreme Court decisions brought the new media of film and recorded music ... American popular music. The book will then use rap music to explore how postmodern ... us. Copyright should be for students, teachers, readers, library patrons ...
... U.S. Supreme Court in 1991—it is clear that copyright does not protect “information.” One company produced a telephone directory for an area. A second company used that list of names, addresses, and phone numbers, alphabetized by ...
... U.S. Supreme Court has recently granted wide berth for parody, however, as a way of encouraging creative, free, and rich speech.13 In addition to fair use, Congress and the federal courts have been unwilling to enforce copyrights in ...
... U.S. Supreme Court ruled that the information in a telephone directory was not in itself protectable under copyright, because the names, addresses, and phone numbers represent the purest expression of facts or ideas, and mere collection ...
... U.S. Supreme Court dealt a blow to the natural law mystification of the author by ruling that a copyright is a privileged monopoly, and that it should be limited to allow competitive printing to disseminate knowledge cheaply. The case ...
Saturs
1 | |
17 | |
35 | |
3 Celluloid Copyright and Derivative Works or How toStop 12 Monkeys with One Chair | 81 |
American Music Challengesthe Copyright Tradition | 117 |
The End of Copyright? | 149 |
The Summer without Martha Graham | 185 |
Notes | 191 |
Index | 231 |
About the Author | 243 |
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Copyrights and Copywrongs: The Rise of Intellectual Property and How it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2001 |
Copyrights and Copywrongs: The Rise of Intellectual Property and how it ... Siva Vaidhyanathan Ierobežota priekšskatīšana - 2003 |