Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.–5. rezultāts no 88.
2. lappuse
... women's studies and ethnic studies programs.5 White men, conflated with normativity in the American social lexicon, have not been understood as practicing identity politics because they are visible in political terms, even as they ...
... women's studies and ethnic studies programs.5 White men, conflated with normativity in the American social lexicon, have not been understood as practicing identity politics because they are visible in political terms, even as they ...
5. lappuse
... women's movement in the s, to the battles over the cultural authority of “dead white males” in academia, to the rise of a new men's movement in the late s. Each of these moments comes clothed in the language of crisis ...
... women's movement in the s, to the battles over the cultural authority of “dead white males” in academia, to the rise of a new men's movement in the late s. Each of these moments comes clothed in the language of crisis ...
6. lappuse
White Masculinity in Crisis Sally Robinson. against feminist claims of women's victimization, demonstrating that white men can most persuasively claim victimization by appealing to representations of bodily trauma. That the article ...
White Masculinity in Crisis Sally Robinson. against feminist claims of women's victimization, demonstrating that white men can most persuasively claim victimization by appealing to representations of bodily trauma. That the article ...
16. lappuse
... women writers or African American writers, habitually read as the exemplars of a particularized—gendered and racialized—perspective. Like the marginalized or minoritized subject who is first marked by the dominant culture, and then ...
... women writers or African American writers, habitually read as the exemplars of a particularized—gendered and racialized—perspective. Like the marginalized or minoritized subject who is first marked by the dominant culture, and then ...
18. lappuse
... women, the feminine, or feminism that initiates the return of the body, these fictions are not simply misogynist ... women's liberationist critique of various forms of male expressivity. Arguing that the release of blocked male “energies ...
... women, the feminine, or feminism that initiates the return of the body, these fictions are not simply misogynist ... women's liberationist critique of various forms of male expressivity. Arguing that the release of blocked male “energies ...
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroy’s construction crisis in white critics critique culinity culture wars D’Souza Dead Poets Society dead white male Dickey’s novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist film’s force Garp Garp’s gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irving’s King’s literal literary male power male sexuality man’s marked masochism masochistic mass culture men’s liberation men’s liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Paul’s penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roth’s social story suffering suggests Tarnopol texts therapeutic tion Tom’s trauma Trumper unmarked Updike Updike’s victims violence visible Water-Method white and male white male author white male bodies white masculinity women