Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Societyas well as other writings, including The Closing of the American MindSally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.5. rezultāts no 30.
6. lappuse
... trauma. That the article studiously avoided uttering the word power suggests that the figure of the wounded white man enables an erasure of the institutional supports of white and male dominance, as we will see in many instances ...
... trauma. That the article studiously avoided uttering the word power suggests that the figure of the wounded white man enables an erasure of the institutional supports of white and male dominance, as we will see in many instances ...
10. lappuse
... trauma or do-or-die decision-making than on the power of language, of metaphors and images, to convincingly represent that sense of trauma and turning point. While the Iranian hostage crisis was certainly real, the discursive ...
... trauma or do-or-die decision-making than on the power of language, of metaphors and images, to convincingly represent that sense of trauma and turning point. While the Iranian hostage crisis was certainly real, the discursive ...
17. lappuse
... trauma inflicted on the cultural authority of white masculinity gets displaced onto a more personal and even bodily plane. These critics move in to occupy the position of true rebel, true victim, in a culture war that works to reshape ...
... trauma inflicted on the cultural authority of white masculinity gets displaced onto a more personal and even bodily plane. These critics move in to occupy the position of true rebel, true victim, in a culture war that works to reshape ...
39. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
46. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroys construction crisis in white critics critique culinity culture wars DSouza Dead Poets Society dead white male Dickeys novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist films force Garp Garps gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irvings Kings literal literary male power male sexuality mans marked masochism masochistic mass culture mens liberation mens liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Pauls penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roths social story suffering suggests Tarnopol texts therapeutic tion Toms trauma Trumper unmarked Updike Updikes victims violence visible Water-Method white and male white male author white male bodies white masculinity women