Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.–5. rezultāts no 39.
5. lappuse
... texts produced out of that crisis use a vocabulary of pain and urgency to dwell on, manage, and/or heal the threats to a normativity continuously under siege. In post-sixties American culture, white men have become marked men, not only ...
... texts produced out of that crisis use a vocabulary of pain and urgency to dwell on, manage, and/or heal the threats to a normativity continuously under siege. In post-sixties American culture, white men have become marked men, not only ...
6. lappuse
... texts I will focus on here, as well, in which concern over the place of white men in post-sixties American culture produces images of a physically wounded and emotionally traumatized white masculinity. White masculinity most fully ...
... texts I will focus on here, as well, in which concern over the place of white men in post-sixties American culture produces images of a physically wounded and emotionally traumatized white masculinity. White masculinity most fully ...
9. lappuse
... texts I will examine themselves evidence the impossibility of recuperating the fiction of abstract individualism and unmarkedness. White masculinity, then, becomes fully embodied through its wounding. In arguing that white masculinity ...
... texts I will examine themselves evidence the impossibility of recuperating the fiction of abstract individualism and unmarkedness. White masculinity, then, becomes fully embodied through its wounding. In arguing that white masculinity ...
11. lappuse
... texts I will analyze here. Masochistic narratives, structured so as to defer closure or resolution, often feature white men displaying their wounds as evidence of disempowerment, and finding a pleasure in explorations of pain. Masochism ...
... texts I will analyze here. Masochistic narratives, structured so as to defer closure or resolution, often feature white men displaying their wounds as evidence of disempowerment, and finding a pleasure in explorations of pain. Masochism ...
13. lappuse
... texts and in the larger cultural landscape as I understand it. “The pleasure of masochism,” Studlar writes, “is inseparable from the pain of suspense. Masochism's dynamic of pleasure does not depend on resolution or the recreation of ...
... texts and in the larger cultural landscape as I understand it. “The pleasure of masochism,” Studlar writes, “is inseparable from the pain of suspense. Masochism's dynamic of pleasure does not depend on resolution or the recreation of ...
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroy’s construction crisis in white critics critique culinity culture wars D’Souza Dead Poets Society dead white male Dickey’s novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist film’s force Garp Garp’s gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irving’s King’s literal literary male power male sexuality man’s marked masochism masochistic mass culture men’s liberation men’s liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Paul’s penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roth’s social story suffering suggests Tarnopol texts therapeutic tion Tom’s trauma Trumper unmarked Updike Updike’s victims violence visible Water-Method white and male white male author white male bodies white masculinity women