Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.–5. rezultāts no 28.
12. lappuse
... phallic, virile masculinity.19 Male masochism and male pain continue to compel feminists and masculinists alike, as scholarly books with titles like Carol Siegel's Male Masochism ( ) sit cheek by jowl in the library stacks with ...
... phallic, virile masculinity.19 Male masochism and male pain continue to compel feminists and masculinists alike, as scholarly books with titles like Carol Siegel's Male Masochism ( ) sit cheek by jowl in the library stacks with ...
13. lappuse
... phallic pleasures of release. The fact that Freud saw masochism as a perversion of the pleasure principle with its focus on male heterosexual release, and that feminists turn to masochism in search of a subversively nonphallic ...
... phallic pleasures of release. The fact that Freud saw masochism as a perversion of the pleasure principle with its focus on male heterosexual release, and that feminists turn to masochism in search of a subversively nonphallic ...
26. lappuse
... phallic masculinity, the novels articulate dominant masculinity as structured by the competing attractions of power and vulnerability. It is primarily through changing representations of Rabbit's body that Updike expresses the condition ...
... phallic masculinity, the novels articulate dominant masculinity as structured by the competing attractions of power and vulnerability. It is primarily through changing representations of Rabbit's body that Updike expresses the condition ...
43. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
44. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroy’s construction crisis in white critics critique culinity culture wars D’Souza Dead Poets Society dead white male Dickey’s novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist film’s force Garp Garp’s gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irving’s King’s literal literary male power male sexuality man’s marked masochism masochistic mass culture men’s liberation men’s liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Paul’s penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roth’s social story suffering suggests Tarnopol texts therapeutic tion Tom’s trauma Trumper unmarked Updike Updike’s victims violence visible Water-Method white and male white male author white male bodies white masculinity women