Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.–5. rezultāts no 80.
1. lappuse
... claim is the connection between the unmarked and the disembodied, the marked and the embodied. To be unmarked means to be invisible—not in the sense of “hidden from history”3 but, rather, as the self-evident standard against which all ...
... claim is the connection between the unmarked and the disembodied, the marked and the embodied. To be unmarked means to be invisible—not in the sense of “hidden from history”3 but, rather, as the self-evident standard against which all ...
3. lappuse
... claim that they are the villains in American culture. White men have, thus, been marked, not as individuals but as a ... claims her own difference from the norm, and so marks herself as the bearer of an embodied particularity. What makes ...
... claim that they are the villains in American culture. White men have, thus, been marked, not as individuals but as a ... claims her own difference from the norm, and so marks herself as the bearer of an embodied particularity. What makes ...
5. lappuse
... conquest” (Pfeil vii). Time's answer to its own question posed images of mutilated and wounded white men (most notably John Bobbitt) against feminist claims of women's victimization, demonstrating that white men INTRODUCTION 5.
... conquest” (Pfeil vii). Time's answer to its own question posed images of mutilated and wounded white men (most notably John Bobbitt) against feminist claims of women's victimization, demonstrating that white men INTRODUCTION 5.
6. lappuse
White Masculinity in Crisis Sally Robinson. against feminist claims of women's victimization, demonstrating that white men can most persuasively claim victimization by appealing to representations of bodily trauma. That the article ...
White Masculinity in Crisis Sally Robinson. against feminist claims of women's victimization, demonstrating that white men can most persuasively claim victimization by appealing to representations of bodily trauma. That the article ...
7. lappuse
... claims of victimization. It is tempting to read the white male victim as just another ruse of white patriarchy, a last-ditch strategy to hang onto a privilege that is perceived to be slipping away. This view has been articulated by ...
... claims of victimization. It is tempting to read the white male victim as just another ruse of white patriarchy, a last-ditch strategy to hang onto a privilege that is perceived to be slipping away. This view has been articulated by ...
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroy’s construction crisis in white critics critique culinity culture wars D’Souza Dead Poets Society dead white male Dickey’s novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist film’s force Garp Garp’s gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irving’s King’s literal literary male power male sexuality man’s marked masochism masochistic mass culture men’s liberation men’s liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Paul’s penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roth’s social story suffering suggests Tarnopol texts therapeutic tion Tom’s trauma Trumper unmarked Updike Updike’s victims violence visible Water-Method white and male white male author white male bodies white masculinity women