Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.–5. rezultāts no 49.
vii. lappuse
... UPDIKE AND THE RECONSTRUCTION OF MIDDLE AMERICAN MASCULINITY 23 The “Discovery” of Middle America and the Marking of White Masculinity Rabbit Redux: Black Power, the Counterculture, and the Decentering of White Masculinity ...
... UPDIKE AND THE RECONSTRUCTION OF MIDDLE AMERICAN MASCULINITY 23 The “Discovery” of Middle America and the Marking of White Masculinity Rabbit Redux: Black Power, the Counterculture, and the Decentering of White Masculinity ...
4. lappuse
... Updike, who resists mythologizing that decade, puts his finger on the sense of white male surprise and disbelief in the face of seemingly concerted attacks on normativity. The sixties, according to Updike, changed white masculinity from ...
... Updike, who resists mythologizing that decade, puts his finger on the sense of white male surprise and disbelief in the face of seemingly concerted attacks on normativity. The sixties, according to Updike, changed white masculinity from ...
5. lappuse
... Updike points here to the making visible of white Protestant masculinity as a specific identity category; but he goes further to suggest that what had once been an unquestioned privilege has turned into a liability. No longer able to ...
... Updike points here to the making visible of white Protestant masculinity as a specific identity category; but he goes further to suggest that what had once been an unquestioned privilege has turned into a liability. No longer able to ...
15. lappuse
... Updike and John Irving, novelists of the middlebrow, belong next to the “culture warriors” of the late s who mourn the death of a particular configuration of cultural hierarchy and, indeed, the death of cultural hierarchy itself ...
... Updike and John Irving, novelists of the middlebrow, belong next to the “culture warriors” of the late s who mourn the death of a particular configuration of cultural hierarchy and, indeed, the death of cultural hierarchy itself ...
16. lappuse
... Updike's “Rabbit” series. I argue that Updike's novels chart the transformation of white masculinity from an unmarked normativity to a specific, embodied category. The story the Rabbit novels tell is not a simply linear narrative of ...
... Updike's “Rabbit” series. I argue that Updike's novels chart the transformation of white masculinity from an unmarked normativity to a specific, embodied category. The story the Rabbit novels tell is not a simply linear narrative of ...
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroy’s construction crisis in white critics critique culinity culture wars D’Souza Dead Poets Society dead white male Dickey’s novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist film’s force Garp Garp’s gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irving’s King’s literal literary male power male sexuality man’s marked masochism masochistic mass culture men’s liberation men’s liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Paul’s penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roth’s social story suffering suggests Tarnopol texts therapeutic tion Tom’s trauma Trumper unmarked Updike Updike’s victims violence visible Water-Method white and male white male author white male bodies white masculinity women