Marked Men: White Masculinity in CrisisColumbia University Press, 2000. gada 31. aug. - 288 lappuses White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis. |
No grāmatas satura
1.–5. rezultāts no 27.
5. lappuse
... Updike, those others are now on the ascendant, concern about their victimization recedes, while the “silent majority” moves to occupy the territory of victimization. Further, Updike's use of the cliché of the “picnic” works to divert ...
... Updike, those others are now on the ascendant, concern about their victimization recedes, while the “silent majority” moves to occupy the territory of victimization. Further, Updike's use of the cliché of the “picnic” works to divert ...
16. lappuse
... Updike's novels chart the transformation of white masculinity from an unmarked normativity to a specific, embodied ... Updike does spend some narrative energy bemoaning the “disenfranchisement” of his representative Middle American, the ...
... Updike's novels chart the transformation of white masculinity from an unmarked normativity to a specific, embodied ... Updike does spend some narrative energy bemoaning the “disenfranchisement” of his representative Middle American, the ...
24. lappuse
... Updike's lament discussed in the introduction, were “no sunny picnic for” Protestant white males who had now become “the root of evil” in a major ideological, symbolic, and cultural shift (Self-Consciousness ). Such paradoxical ...
... Updike's lament discussed in the introduction, were “no sunny picnic for” Protestant white males who had now become “the root of evil” in a major ideological, symbolic, and cultural shift (Self-Consciousness ). Such paradoxical ...
25. lappuse
... Updike's exploration of it, suggests that such a view misses the vital fact that the meanings of whiteness and of masculinity are just as much at stake in such struggles as are the meanings of blackness or of femininity. While, on the ...
... Updike's exploration of it, suggests that such a view misses the vital fact that the meanings of whiteness and of masculinity are just as much at stake in such struggles as are the meanings of blackness or of femininity. While, on the ...
26. lappuse
... Updike's representation of the powerfully vulnerable, vulnerably powerful white man, it comes as no surprise that in the last novel of the series, Rabbit at Rest ( ), Harry owns up to the “masochistic Christian” in himself, the ...
... Updike's representation of the powerfully vulnerable, vulnerably powerful white man, it comes as no surprise that in the last novel of the series, Rabbit at Rest ( ), Harry owns up to the “masochistic Christian” in himself, the ...
Saturs
1 | |
23 | |
Scenes from the Culture Wars | 52 |
White Male Authorship in Crisis | 87 |
Mens Liberation and the Wounds of Patriarchal Power | 128 |
Marked Men and the Wounds of Dammed Masculinity | 153 |
Notes | 193 |
Bibliography | 243 |
Index | 261 |
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American culture Annie anxiety argues becomes blockage and release blocked Bloom bodily claims Conroy’s construction crisis in white critics critique culinity culture wars D’Souza Dead Poets Society dead white male Dickey’s novel discourse disembodied dominant masculinity embodiment emotional energies expression female feminine feminism feminist film’s force Garp Garp’s gender and racial Goldberg heterosexual homosexuality hysterical identity politics impulses individual Irving Irving’s King’s literal literary male power male sexuality man’s marked masochism masochistic mass culture men’s liberation men’s liberationists metaphor Middle American middlebrow Misery novels narrative natural normative pain patriarchal Paul’s penis Peter phallic position post-liberationist Prince of Tides Rabbit at Rest Rabbit Is Rich Rabbit Redux race rape remasculinization representation represents rhetoric Roth Roth’s social story suffering suggests Tarnopol texts therapeutic tion Tom’s trauma Trumper unmarked Updike Updike’s victims violence visible Water-Method white and male white male author white male bodies white masculinity women