The Theatre of Praise: The Panegyric Tradition in Seventeenth-century English DramaUniversity of Delaware Press, 1986 - 240 lappuses A critical examination of panegyrical theatre from its beginnings in the masque, city pageant, and history plays to its varied culmination on the Restoration musical stage. |
Saturs
Preface | 6 |
Shakespeare and the Imperial Myth | 39 |
Reception and Dissemination | 74 |
Autortiesības | |
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The Theatre of Praise: The Panegyric Tradition in Seventeenth-century ... Joanne Altieri Ierobežota priekšskatīšana - 1986 |
The Theatre of Praise: The Panegyric Tradition in Seventeenth-Century ... Joanne Altieri Priekšskatījums nav pieejams - 1986 |
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action allegorical allowed antimasque appear audience become begins called century changes character Charles claims clear close common concern continues course court courtly create Critical cultural Davenant Davenant's Dennis desire developed direct drama Dryden effect effort emotional English essay example experience expression fact figures final follow force French fully function given gives Henry hero heroic Holinshed idea ideal imagination interest John Jonson King King Arthur language later least less literary London masque means mind moral move nature never notion opera Orgel passions perhaps play poet poetry political position practice praise presents Press question reason relation remains response Restoration rhetorical role scene seems sense Shakespeare social soul speak stage success theatre theatrical things thought throughout tion tradition turn understanding University University Press whole writers
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