The Writer, 99. sējumsThe Writer, 1986 |
No grāmatas satura
1.–3. rezultāts no 48.
17. lappuse
... feel , and feel deeply , but this cannot be done in any haphazard way . Readers must feel what the author wants them to feel , and when . However , when describing a character's emo- tions , you must be able to put the feelings into ...
... feel , and feel deeply , but this cannot be done in any haphazard way . Readers must feel what the author wants them to feel , and when . However , when describing a character's emo- tions , you must be able to put the feelings into ...
18. lappuse
... feel those stomach spasms , and I know how my fictional character might feel . Showing , rather than telling , is crucial in conveying deep feelings , but there are pitfalls to avoid when painting a picture for your reader . Beginning ...
... feel those stomach spasms , and I know how my fictional character might feel . Showing , rather than telling , is crucial in conveying deep feelings , but there are pitfalls to avoid when painting a picture for your reader . Beginning ...
9. lappuse
... feel vaguely uncomfortable when a writer keeps calling attention to himself or mak- ing asides that divert your attention . The same criteria you apply to other people's work must be applied to your own writing . You know you are being ...
... feel vaguely uncomfortable when a writer keeps calling attention to himself or mak- ing asides that divert your attention . The same criteria you apply to other people's work must be applied to your own writing . You know you are being ...
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