Music in Medieval Europe: Studies in Honour of Bryan Gillingham

Pirmais vāks
Alma Santosuosso, Terence Bailey
Routledge, 2017. gada 5. jūl. - 456 lappuses
This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
 

Saturs

the office and the mass
1
a newlydiscovered manuscript of the Lamentations of Jeremiah
11
3 Gregorian responsories based on texts from the Book of Judith
23
a unifying concept for Western chant?
35
5 Réôme Cluny Dijon
49
the Vocabularium musicum of ms Monte Cassino 318
65
7 The twilight of troping
79
8 To trope or not to trope? Or how was that English Gloria performed?
95
14 The double office at St Peters Basilica on Dominica de Gaudete
200
motetish works from the School of NotreDame
220
aspects of voice and vocality in medieval song
239
17 Ambrosian processions of the saints
263
revisions variants errors and methods
287
19 Notker in Aquitaine
312
20 The Historia Sancti Magni by Hermannus Contractus 10131054
367
Publications of Bryan Gillingham
393

9 Why Marian motets on nonMarian tenors? An answer
112
the Carmelites and the office of the dedication of a church
129
11 A historical context for Guido dArezzos use of distinctio
146
12 The musical text of the introit Resurrexi
163
13 Chants for four masses in the Editio princeps of the Pontificale romanum 1485
181

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Par autoru (2017)

Terence Bailey is Professor Emeritus at the University of Western Ontario, Canada. Alma Santosuosso is Professor at Wilfrid Laurier University, Canada.

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