Music in Medieval Europe: Studies in Honour of Bryan GillinghamAlma Santosuosso, Terence Bailey Routledge, 2017. gada 5. jūl. - 456 lappuses This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources. |
Saturs
1 | |
a newlydiscovered manuscript of the Lamentations of Jeremiah | 11 |
3 Gregorian responsories based on texts from the Book of Judith | 23 |
a unifying concept for Western chant? | 35 |
5 Réôme Cluny Dijon | 49 |
the Vocabularium musicum of ms Monte Cassino 318 | 65 |
7 The twilight of troping | 79 |
8 To trope or not to trope? Or how was that English Gloria performed? | 95 |
14 The double office at St Peters Basilica on Dominica de Gaudete | 200 |
motetish works from the School of NotreDame | 220 |
aspects of voice and vocality in medieval song | 239 |
17 Ambrosian processions of the saints | 263 |
revisions variants errors and methods | 287 |
19 Notker in Aquitaine | 312 |
20 The Historia Sancti Magni by Hermannus Contractus 10131054 | 367 |
Publications of Bryan Gillingham | 393 |
9 Why Marian motets on nonMarian tenors? An answer | 112 |
the Carmelites and the office of the dedication of a church | 129 |
11 A historical context for Guido dArezzos use of distinctio | 146 |
12 The musical text of the introit Resurrexi | 163 |
13 Chants for four masses in the Editio princeps of the Pontificale romanum 1485 | 181 |
Citi izdevumi - Skatīt visu
Music in Medieval Europe: Studies in Honour of Bryan Gillingham Alma Santosuosso Ierobežota priekšskatīšana - 2017 |
Music in Medieval Europe: Studies in Honour of Bryan Gillingham Terence Bailey,Alma Colk Santosuosso Ierobežota priekšskatīšana - 2007 |
Music in Medieval Europe: Studies in Honour of Bryan Gillingham Alma Santosuosso Priekšskatījums nav pieejams - 2016 |
Bieži izmantoti vārdi un frāzes
Alia alleluia altar Anima iuge antiphon Aquitanian basilica Beroldus BNF lat Bryan Gillingham cadence cantus Carmelite cathedral century chapter church Cluny concordant conductus conductus prosulas deus differentiae distinctiones domus double offices Easter ecclesiae editio princeps edition Etym example feast Feria Frankish Gillingham Gloria gradual Gregorian Chant Guido hebdomadary Herbipolense Hodie honour incipit introit ISBN Judith Krakow Latin liturgical manuscripts mass matins medieval melody missal modal mode motet neumes notation Notker's nunc octave omnes organum ostiary Paris Pascha Pentecost Philip Philip the Chancellor phrase pitches plagal plainchant plainsong PMFC XVI polyphony Prosa prosarium proses psallendae psalms quae quod readings Réôme repertory responsory Roman rubric saints Salamanca Sancti Scolica enchiriadis scribes segment sequentia singing song sources Spiritus domini Spiritus et alme St Peter's sung sunt tetrachord thurible tonary tradition trope untraditional variants verse vespers vigils Virgin words