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1.3. rezultāts no 81.
28. lappuse
So my students write sonnets and villanelles and sestinas , and they write poems to a given line scheme or to a given notion ; they write a portrait poem , they might all have to write a dream sequence . And if you're lucky , and if the ...
So my students write sonnets and villanelles and sestinas , and they write poems to a given line scheme or to a given notion ; they write a portrait poem , they might all have to write a dream sequence . And if you're lucky , and if the ...
31. lappuse
My poems used to go through 360 drafts . I had poems which were rewritten so many times that I suspect it was just a way of avoiding sending them out . . . When I look at some of those drafts , I realize that beyond a certain point I ...
My poems used to go through 360 drafts . I had poems which were rewritten so many times that I suspect it was just a way of avoiding sending them out . . . When I look at some of those drafts , I realize that beyond a certain point I ...
26. lappuse
This is a concrete poem , that is , its visual set - up helps make the meaning in this case , by simulating on the page the shape of an Alexander Calder mobile . The idea in this poem reverses the usual process of comparison : While ...
This is a concrete poem , that is , its visual set - up helps make the meaning in this case , by simulating on the page the shape of an Alexander Calder mobile . The idea in this poem reverses the usual process of comparison : While ...
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