The Art of the Critic: Early twentieth centuryHarold Bloom Chelsea House, 1985 |
No grāmatas satura
1.–3. rezultāts no 85.
278. lappuse
... theory of reflection provides the common basis for all forms of theoretical and practical mastery of reality through consciousness . Thus it is also the basis for the theory of the artistic reflection of reality . In this discussion ...
... theory of reflection provides the common basis for all forms of theoretical and practical mastery of reality through consciousness . Thus it is also the basis for the theory of the artistic reflection of reality . In this discussion ...
283. lappuse
... theories is the so - called theory of " empathy " . This theory denies any imitation of reality independent of consciousness . The leading modern exponent of this theory , Lipps , declares , for example : " The form of an object is ...
... theories is the so - called theory of " empathy " . This theory denies any imitation of reality independent of consciousness . The leading modern exponent of this theory , Lipps , declares , for example : " The form of an object is ...
289. lappuse
Harold Bloom. mechanical photographic theory of imitation to Platonism , to a theory of the artistic imitation of " ideas " . ( This is especially apparent with Shaftesbury and at times evident with Diderot . ) But this mystical ...
Harold Bloom. mechanical photographic theory of imitation to Platonism , to a theory of the artistic imitation of " ideas " . ( This is especially apparent with Shaftesbury and at times evident with Diderot . ) But this mystical ...
Saturs
George Bernard Shaw 3 | 3 |
Sigmund Freud 33 | 33 |
W B Yeats 69 | 69 |
Autortiesības | |
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abstract aesthetic appears artistic attitude Baudelaire beauty become believe Benedetto Croce Bertolt Brecht called century character classical concept concrete criticism DADA Dante death dialectical dream emotion essay example existence experience expression fact father feeling film Formal method Formalists French Freud give human idea imagination intellectual kind language linguistic literary literature living material matter means method mind modern moral nature never Nordau novel object Opojaz Patrologia Latina Paul Valéry perhaps person philosophical play poem poet poetic poetry possible precisely principle problem produced question Rabelais reader reality reflection rhythm romantic romanticism seems sense Shakespeare soul sound speak spirit story storyteller style super-ego Surrealist symbols T. E. Hulme theatre theory things thought tradition true truth uncle Toby University Valéry verse Virginia Woolf W. B. Yeats Wallace Stevens whole woman women words writing