Copyright in Computer-readable Works: Policy Impacts of Technological Change, 13. sējumsU.S. Department of Commerce, National Bureau of Standards, 1977 - 264 lappuses |
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1.–5. rezultāts no 50.
vi. lappuse
... Performance Royalty , 1976 Act 4.6.3 New Statutory Compulsory Licenses 4.6.4 The Copyright Royalty Tribunal . • • 36 . 37 37 38 38 39 39 40 4.7 Copyright and Monopoly 40 4.7.1 Government Remedies for Market Monopoly 41 4.8 Summary . 42 ...
... Performance Royalty , 1976 Act 4.6.3 New Statutory Compulsory Licenses 4.6.4 The Copyright Royalty Tribunal . • • 36 . 37 37 38 38 39 39 40 4.7 Copyright and Monopoly 40 4.7.1 Government Remedies for Market Monopoly 41 4.8 Summary . 42 ...
10. lappuse
... performances will continue to be subject to common law as interpreted by the Judiciary . 2.2 NATIONAL UNIFORMITY IN THE FACE OF MOBILITY In calling in The Federalist for a Federal copyright law , as opposed to a set of State laws ...
... performances will continue to be subject to common law as interpreted by the Judiciary . 2.2 NATIONAL UNIFORMITY IN THE FACE OF MOBILITY In calling in The Federalist for a Federal copyright law , as opposed to a set of State laws ...
16. lappuse
... performance could be considered the " writing " of an " author " and there- fore eligible for copyright protection if Congress so chose to grant it , was apparently disposed of in the affirmative in the case of Capitol Records , Inc. v ...
... performance could be considered the " writing " of an " author " and there- fore eligible for copyright protection if Congress so chose to grant it , was apparently disposed of in the affirmative in the case of Capitol Records , Inc. v ...
17. lappuse
... performance of copyrighted music in a sound track of a motion picture . Clearly , in 1909 , when the compulsory license for music recordings be- came law , sound tracks in motion pictures were unknown . Consequently , this was a clear ...
... performance of copyrighted music in a sound track of a motion picture . Clearly , in 1909 , when the compulsory license for music recordings be- came law , sound tracks in motion pictures were unknown . Consequently , this was a clear ...
18. lappuse
... performances " ( as distin- guished from copying ) only for dramatic and musical works . The question whether a motion picture photoplay was a dramatic work arose therefore through litigation . Specifically , this question arose in ...
... performances " ( as distin- guished from copying ) only for dramatic and musical works . The question whether a motion picture photoplay was a dramatic work arose therefore through litigation . Specifically , this question arose in ...
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abstracts ASCAP bibliographic blanket licensing cable system cable television CATV clearinghouse compilations compulsory license computer programs computer storage computer systems computer-readable computerized STI systems Congress Copyright Act copyright law Copyright Office copyright owners copyright protection copyright statute copyrighted documents copyrighted material disc distribution economic effect exclusive right fair individual input institutional issues journals jukebox legislation library subscriptions machine machine-readable copy magnetic tape marginal cost mechanisms monopoly motion picture number of potential obtain on-line optimal prices ORDOVER organizations output payment per-use personal subscription phonorecords photocopying potential subscribers problem producers profit maximizing public performance publishers purpose question radio registration reproduction retransmissions revision bills section 107 SESAC sound recordings sound track statutory STI data bases storage subscription prices Supreme Court system operator television tion transaction costs usage fee user charges visually perceptible welfare optimal White-Smith