The Resisting Muse: Popular Music and Social Protest
The contributors in this volume examine the various ways in which popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced.
Lietotāju komentāri - Rakstīt atsauksmi
Ierastajās vietās neesam atraduši nevienu atsauksmi.
so many and so few
The decline and rebirth of folkprotest music
from Belafonte to Bono
hiphop in the aftermath of postmodernity
popular music race and the articulation
women in rap
reggae music the Rastafarian
popular music as a representation of Australian
Citi izdevumi - Skatīt visu
Aboriginal activities album American appear argue artists attempt audience authenticity bands became become Bragg causes claim concerts connection continue Country created critics culture decades drugs early effect emerged engagement established example exist experience expression fact feminist figure force future genre Guthrie hip-hop human ideas identity important independent individual interest issues kind language largely less listeners live means movement musicians noted notion original particular past performers perhaps played political popular music position possible practices present problems protest songs punk quoted racial Rastafarian reasons recording reference reggae resistance rock role roll scene sense sing singers social sort sound straight edge suggests tape things topical traditional United University vision women writes young youth