The Art of Writing English: A Book for College ClassesAmerican Book Company, 1913 - 382 lappuses |
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1.–5. rezultāts no 97.
8. lappuse
... idea . B. Developing the material 1. From personal sources 2. From printed sources . 3. From field work . IV . GETTING MATERIAL FOR ESTHETIC COMPOSITION . A. The eye for copy . B. Developing ideas . V. CARING FOR MATERIAL . 56 III ...
... idea . B. Developing the material 1. From personal sources 2. From printed sources . 3. From field work . IV . GETTING MATERIAL FOR ESTHETIC COMPOSITION . A. The eye for copy . B. Developing ideas . V. CARING FOR MATERIAL . 56 III ...
32. lappuse
... idea , an object , or the real or possible environment of an object . Contrary to popular belief , it is not a facile skill that is useful only in the making of fairy stories and fanciful pictures ; it has a large part in all ...
... idea , an object , or the real or possible environment of an object . Contrary to popular belief , it is not a facile skill that is useful only in the making of fairy stories and fanciful pictures ; it has a large part in all ...
33. lappuse
... ideas may be brought . Writing helps our imagination , therefore , because the enforced mental alertness wakens us thoroughly . We are quickened until we really see , hear , taste , smell , feel , think , and remember . Consequently ...
... ideas may be brought . Writing helps our imagination , therefore , because the enforced mental alertness wakens us thoroughly . We are quickened until we really see , hear , taste , smell , feel , think , and remember . Consequently ...
40. lappuse
... words have remained lifeless , we ought to strive anew to appreciate the meaning in the declaration . 1 The Idea of a University , Part II , Chap . IV , §3 . A. THE NATURE OF ART What , then , is 40 INTRODUCTION COMPOSITION AN.
... words have remained lifeless , we ought to strive anew to appreciate the meaning in the declaration . 1 The Idea of a University , Part II , Chap . IV , §3 . A. THE NATURE OF ART What , then , is 40 INTRODUCTION COMPOSITION AN.
46. lappuse
... idea in the mind of the writer . As Voltaire put it , a man must always write badly when he has nothing to say . And ... ideas , are not necessarily good ma- terial for composition . The writer must not be content with saying something ...
... idea in the mind of the writer . As Voltaire put it , a man must always write badly when he has nothing to say . And ... ideas , are not necessarily good ma- terial for composition . The writer must not be content with saying something ...
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æsthetic appears argument ART WRIT artistic attitude Bailey Saunders beauty beginning character clear coherence complete concrete course definite demands effect emphasis employed English essay essential evidence example experience explain exposition expository express eyes fact familiar feeling George Herbert Palmer Gettysburg Address give hand ideas imagination important impression interest Jane Austen kind knowledge language literary lives look Lord John Russell material matter means mental method mind narration narrative nature never observation one's ourselves paragraph person phrase point of view possible practice principles purpose reader reason relation result revision Robert Louis Stevenson sentence simple Sisera skill sometimes spirit stand story student suggest sure T. B. Aldrich tence Tennessee's Partner Théophile Gautier things thought tion true truth unity usually Vanity Fair variety vocabulary whole composition words writer writing
Populāri fragmenti
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157. lappuse - ... the elaborate and vacillating crudities of thought, at the true purposes seized only at the last moment, at the innumerable glimpses of idea that arrived not at the maturity of full view, at the fully matured fancies discarded in despair as unmanageable, at the cautious selections and rejections, at the painful erasures and interpolations...
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