Confessions of a Record Producer: How to Survive the Scams and Shams of the Music BusinessHal Leonard Corporation, 2006 - 335 lappuses This fully updated and expanded book is not about how the music business should work, but how it does work. Industry insider Moses Avalon tells it like it is - how producers dip into budgets, artists steal songs, lawyers write contracts in code - and shows you how to survive these and other career-stifling situations. Deconstructing actual major and indie-label record deals, this book dissects each party's involvement and offers perspective on their actual roles, how much they get paid, and what their agendas really are. Engineers, managers, producers, artists, labels and lawyers each take their turn in the hot seat. It also outlines realistic alternatives for newcomers, such as "baby" production deals and vanity labels. This third edition includes: an entire chapter comparing ASCAP and BMI - a publishing first * new insights for indie artists, including the lowdown on digital-distribution scams and independent AandR * information on new legislation and its impact on sampling and other legal matters * new music-industry "family trees" that reflect recent consolidation and reorganization * 80 pages of new material * and much more. |
No grāmatas satura
1.–5. rezultāts no 55.
xii. lappuse
... Advances and Their Deductions Administrative Expenses Sample Rights .... The Workaround for Recoupment Hell Collecting Money in the " New Economy " 7 : The Major Label Deal from the Producer's Point of View The Artist / Producer ...
... Advances and Their Deductions Administrative Expenses Sample Rights .... The Workaround for Recoupment Hell Collecting Money in the " New Economy " 7 : The Major Label Deal from the Producer's Point of View The Artist / Producer ...
xiv. lappuse
... Advances 168 Publishing 1 : Mechanical Royalties . 169 Publishing 2 : Radio Play 169 Touring ... 170 Sponsors 170 Which Adds Up to 170 Producer 171 Record Company 171 PART 2 : SCAMS AND SHAMS 175 Watching Your Back .. 177 16 : The Myth ...
... Advances 168 Publishing 1 : Mechanical Royalties . 169 Publishing 2 : Radio Play 169 Touring ... 170 Sponsors 170 Which Adds Up to 170 Producer 171 Record Company 171 PART 2 : SCAMS AND SHAMS 175 Watching Your Back .. 177 16 : The Myth ...
27. lappuse
Atvainojiet, šīs lappuses saturs ir ierobežots..
Atvainojiet, šīs lappuses saturs ir ierobežots..
36. lappuse
Atvainojiet, šīs lappuses saturs ir ierobežots..
Atvainojiet, šīs lappuses saturs ir ierobežots..
38. lappuse
Atvainojiet, šīs lappuses saturs ir ierobežots..
Atvainojiet, šīs lappuses saturs ir ierobežots..
Saturs
The Players | 1 |
The Pros | 3 |
Conflicts of Interest | 6 |
AR | 7 |
Managers | 9 |
Publicists Booking Agents Tour Managers and Image Consultants | 12 |
The Creators | 15 |
The Jobber | 18 |
The Producer as a Virtual Partner | 156 |
Wheres My Contract? | 157 |
What You Dont Know Will Hurt You | 158 |
Screwing the Producer or the ReRecord | 159 |
Letters of Direction LODs | 162 |
Artists LOD | 164 |
WrapUp Who Earned What? | 165 |
Artist | 166 |
Songwriters | 20 |
Engineers | 22 |
Artists | 23 |
Producers | 25 |
Control Freaks | 28 |
Counteracting the Effects of the Control Freak | 30 |
Companies Companies Companies | 31 |
Record Companies | 32 |
Publishing Companies | 33 |
Copyright Administration Companies | 35 |
The Unions | 39 |
The AFM | 40 |
AFTRA | 42 |
Publicity Companies | 43 |
Distribution Companies | 44 |
Etailers | 45 |
Rights Clearinghouses | 46 |
The Harry Fox Agency the HFA | 47 |
The RIAA | 48 |
The Deal | 51 |
Understanding Distribution or Why Are There So Many Logos on the Record? | 53 |
OneDeep TwoDeep Labels | 56 |
The Major Label Deal from the Artists Point of View | 61 |
Recoupable Financing The Moving Goal Post | 63 |
The Big Four Deal with RealDeal Numbers | 64 |
So How Long Till I See Some Money? | 65 |
Packaging Deductions and Giveaways | 66 |
The 34 Royalty | 67 |
Deep in the Hole | 69 |
Returns Reserves and Cutouts | 71 |
CrossCollateralization or Robbing Peter to Pay Paul | 73 |
A Major Label Deal Is Like Having a Credit Card at 66 Interest | 74 |
DropKicked from the Roster | 75 |
How Long Till the Record Comes Out? | 76 |
Be Careful What You Wish For | 77 |
Publishing Deals The 200 Pie or 100 of Something is Better than 200 of Nothing | 79 |
Publishing Advances and Their Deductions | 81 |
Sample Rights | 82 |
The Workaround for Recoupment Hell | 83 |
Collecting Money in the New Economy | 84 |
The Major Label Deal from the Producers Point of View | 85 |
The ArtistProducer Conflict | 86 |
The Allin Deal | 88 |
NonAllln Deals | 89 |
The Spec Deal | 91 |
Kickbacks | 93 |
Kickbacks to AR | 94 |
The Major Label Deal from the Record Companys Point of View | 99 |
Deductions | 100 |
Aggregation Fees | 101 |
To the Artist | 102 |
Image Molding | 103 |
A Bit of History | 106 |
Sponsors | 110 |
The Single | 113 |
Billboard or Bullboard? | 115 |
SoundScan | 116 |
Airplay Webcasting | 119 |
NetHype | 121 |
The Independent Record Deal The Birth of the New Indie | 125 |
The Independent Record Deal from the Point of View of the Record Company | 129 |
The Independent Record Deal from the Point of View of the Artist | 133 |
Publishing and Royalties | 134 |
Indie in Disguise | 135 |
Speed Trends | 136 |
CrossCollateralization | 138 |
The Baby Record Deal | 141 |
The ArtistProducer Production Deal | 142 |
The Joint Venture | 144 |
Cutting Out the Producer | 146 |
Contraceptive Contracts | 147 |
The Vanity Label | 149 |
The Virtual Budget and the Virtual Producers Fee | 151 |
Producers Compensation Package | 154 |
Producer | 169 |
Scams and Shams | 173 |
Watching Your Back | 175 |
The Myth of Copyright Protection or Hey They Stole My Song | 177 |
Suing Stars | 179 |
When Band Members Sue Each Other | 186 |
Collecting Your Money | 187 |
Blockage | 188 |
Name Blockage | 189 |
SoundAlikes | 190 |
SampleAlikes | 193 |
Master Fraud | 195 |
Clears | 197 |
Cleans | 198 |
9to1 Publishing or Why Is There Only One Good Song on the Record? | 199 |
CD Replicator Scams or Getting Duped by the Duper | 201 |
Guaranteed Distribution | 202 |
Cheapie Barcodes | 203 |
The 1x vs 4x Debate | 204 |
Fingerprinting and Bootlegging | 205 |
Digital Deceptions iTunes Scams | 206 |
Exclusivity | 208 |
Termination and Opting Out or See You Later Aggregator | 209 |
Independent AR Services | 210 |
Sneaky Lawyer Stuff | 215 |
Virtual Terms | 216 |
Internet Labels and Their Nonexclusive Contracts | 217 |
The Little Squeeze | 219 |
Letters of Misdirection | 221 |
Voted OutThe Band as a Corporate Entity | 222 |
Legalease? | 225 |
Warner Bros Record Contract | 230 |
Conclusion | 236 |
Miscellaneous Myths and Untruths | 239 |
A R Dogma | 241 |
Second Sendings | 243 |
Labels Sign Bad Acts for Tax WriteOffs | 244 |
The Mercy Signing | 245 |
SoundScan Tells All | 246 |
Illegal FileSharing Is Killing the Music Business | 247 |
Are Sales Really Down? | 248 |
So Are There Real Losses? | 249 |
ASCAP vs BMI PRO Pontification | 251 |
Should You Bother to Join Either of Them? | 253 |
Who Pays More | 255 |
Were a Nonprofit So You Can Trust Us | 258 |
Okay So Were Not Really a Nonprofit Big Whoop We Still Act Like One Right? | 260 |
So Who Owns These Guys? | 263 |
Who Controls ASCAP | 264 |
The Bully Factor | 266 |
So Which PRO Is Right for You? | 269 |
Production Boners | 271 |
You Must Record on a Digital Medium with at Least 100 Tracks | 272 |
Why the Cassettes Sound Muddy | 273 |
Marketing Mishigas | 275 |
Getting Credit Where Credit Is Due | 279 |
Major Label Philosophy on Giving Credit to Sidemen and Engineers | 282 |
How to Get Even | 284 |
The Coproduction Credit | 286 |
Industry Census | 287 |
People in the Business Jews? | 288 |
Are Women Discriminated Against in the Music Business? | 289 |
The Big Picture or the Record Industry from the Point of View of the Rest of the World | 291 |
Do Record Companies Really Make Any Money? | 292 |
Loss Leader | 293 |
A Map of the Financial Universe | 301 |
Major Label Family Trees The Big Four as of 2005 | 304 |
RecordPause | 311 |
Final Word | 313 |
Family Trees of Big Six Distributors as of January 1998 | 314 |
ACKNOWLEDGMENTS | 319 |
WHO IS MOSES AVALON AND WHAT IS THE MOSES AVALON COMPANY? | 320 |
INDEX | 323 |
Bieži izmantoti vārdi un frāzes
A&R person ABKCO Records AFTRA aggregators agreement album all-in ASCAP ASCAP and BMI attorney band Big Four billion budget called cents chapter chart claim client Concord Records cost Cross-Collateralization distribution distributor dollars downloads ducer earn engineer give Group hire indie label Internet iTunes lawyers license Live Crew look major label Major Label Deal manager master master recordings means music business music industry musicians Nashville negotiating one-deep paid performance play players producer producer's production deal profit promotion PROS radio record company record deal record industry record label Record Producer record sales record store recording contract recoupment retail RIAA royalty sample Scams sell SESAC sidebar sold song songwriters Sony sound recording SoundScan studio tape things tion two-deep label union usually vanity label Walt Disney Records Warner Warner Bros writers
Atsauces uz šo grāmatu
Entertainment Industry Economics: A Guide for Financial Analysis Harold L. Vogel Ierobežota priekšskatīšana - 2007 |