Sylvia Plath: The Shaping of ShadowsFairleigh Dickinson University Press, 1998 - 221 lappuses This is the first critical work to provide a full account of Sylvia Plath's intellectual biography. Using previously unexamined archive material to explore the diversities of influence in Plath's work, Al Strangeways offers a close reworking of Harold Bloom's Oedipal poetics of the literary canon, breaking open the model onto a recognition of the cultural and political forces through which Plath's poetry struggles into expression. This timely book brings out for the first time the powerful interplay between Plath's poetic development and the writings of Thomas de Quincey, D.H. Lawrence, William Blake, and Emily Bronte, and establishes the crucial context of the often controversial use that she makes of politics, history, and myth in a post-Holocaust world. |
No grāmatas satura
1.–3. rezultāts no 4.
28. lappuse
... tell me they don't have it , whatever it is " 42 ) is in fact characteristic of the original anxiety . Bloom and Plath Bloom's theorizing of influence is particularly useful in Plath's case for a number of reasons . Bloom credits ...
... tell me they don't have it , whatever it is " 42 ) is in fact characteristic of the original anxiety . Bloom and Plath Bloom's theorizing of influence is particularly useful in Plath's case for a number of reasons . Bloom credits ...
140. lappuse
... tell whether she is animal , vegetable or mineral . ” Kroll is more explicit in her criticism , stating that , “ The shifts from one image to another ... give the effect of being fragmentary or undisciplined ... by distributing the ...
... tell whether she is animal , vegetable or mineral . ” Kroll is more explicit in her criticism , stating that , “ The shifts from one image to another ... give the effect of being fragmentary or undisciplined ... by distributing the ...
154. lappuse
... tell me my name . " This demand for the verbalizing of an identity potentially achieved ( significantly it is " tell me " not " give me ” ) is directed to a female " other " crucially different from the " mother . " The " lady " can be ...
... tell me my name . " This demand for the verbalizing of an identity potentially achieved ( significantly it is " tell me " not " give me ” ) is directed to a female " other " crucially different from the " mother . " The " lady " can be ...
Saturs
List of Abbreviations 79 | 9 |
Romantic Anxieties | 40 |
PoliticsHistoryMyth | 77 |
Autortiesības | |
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Bieži izmantoti vārdi un frāzes
abject ambiguity ambivalence American anxiety appears approach Ariel asserts attitude becomes Birthday Blake Bloom Brontë Cambridge central chapter concerns connection conscious creative critics cultural Daddy death describes desire difficulties draft early edited Emily emotional essay example experience explored expression extreme Faber fact father fear feelings female feminine figure final Holocaust Hughes human ideas identity imagery importance individual influence instance intellectual interest issues journals Lady language late later Lawrence leads less letter linked literary literature London male material memory mind mother myth mythic nature notes past perceived Plath's poetry poem poet poetic poetry political position problem psychoanalytic Quincey reading reference reflects relation relationship resulting Romantic Rose sense similar Smith social speaker story struggle Sylvia Plath symbolic theme theories throughout tion tradition transcendence treatment University Press Witch woman women writes written wrote York
Atsauces uz šo grāmatu
Out of the Cradle Endlessly Rocking: Motherhood in Sylvia Plath's Work Nephie Christodoulides Priekšskatījums nav pieejams - 2005 |