black, ghastly gallows closing up their prospect, turn them where they may; it appeared to me that to do this would be to attempt a something which was greatly needed, and which would be a service to society. And therefore I did it as I best could.

In every book I know, where such characters are treated of at all, certain allurements and fascinations are thrown around them. Even in the Beggar's Opera, the thieves are represented as leading a life which is rather to be envied than otherwise; while MACHEATH, with all the captivations of command, and the devotion of the most beautiful girl and only pure character in the piece, is as much to be admired and emulated by weak beholders, as any fine gentleman in a red coat who has purchased, as VOLTAIRE says, the right to command a couple of thousand men, or so, and to affront death at their head. Johnson's question, whether any man will turn thief because Macheath is reprieved, seems to me beside the matter. I ask myself, whether any man will be deterred from turning thief because of his being sentenced to death, and because of the existence of Peachum and Lockit; and remembering the captain's roaring life, great appearance, vast success, and strong advantages, I feel assured that nobody having a bent that way will take any warning from him, or will see anything in the play but a very flowery and pleasant road, conducting an honorable ambition, in course of time, to Tyburn Tree.

In fact, Gay's witty satire on society had a general object, which made him careless of example in this respect, and gave him other aims. The same may be said of Sir Edward Bulwer's admirable and powerful novel of Paul Clifford, which cannot be fairly considered as having, or being intended to have, any bearing on this part of the subject, one way or other. What manner of life is that which is described in these pages, as the every-day existence of a Thief? What charms has it for the young and ill-disposed, what allurements for the most jolter-headed of juveniles? Here are no canterings on moonlit heaths, no merry-makings in the snuggest of all possible caverns, none of the attractions of dress, no embroidery, no lace, no jack-boots, no crimson coats and ruffles, none of the dash and freedom with which "the road" has been, time out of mind, invested. The cold, wet, shelterless midnight streets of London; the foul and frowzy dens, where vice is closely packed and lacks the room to turn; the haunts of hunger and disease, the shabby rags that scarcely hold together; where are the attractions of these things? Have they no lesson, and do they not whisper something beyond the little-regarded warning of an abstract moral precept?

But, there are people of so refined and delicate a nature, that they cannot bear the contemplation of these horrors. Not that they turn instinctively from crime; but that criminal characters, to suit them, must be, like

their meat, in delicate disguise. A Massaroni in green velvet is an enchanting creature; but a Sikes in fustian is insupportable. A Mrs. Massaroni, being a lady in short petticoats and a fancy dress, is a thing to imitate in tableaux and have in lithograph on pretty songs; but a Nancy, being a creature in a cotton gown and cheap shawl, is not to be thought of. It is wonderful how Virtue turns from dirty stockings; and how Vice, married to ribbons and a little gay attire, changes her name, as wedded ladies do, and becomes Romance.

Now, as the stern and plain truth, even in the dress of this (in novels) much exalted race, was a part of the purpose of this book, I will not, for these readers, abate one hole in the Dodger's coat, or one scrap of curlpaper in the girl's dishevelled hair. I have no faith in the delicacy which cannot bear to look upon them. I have no desire to make proselytes among such people. I have no respect for their opinion, good or bad; do not covet their approval; and do not write for their amusement. I venture to say this without reserve; for I am not aware of any writer in our language having a respect for himself, or held in any respect by his posterity, who ever has descended to the taste of this fastidious class.

On the other hand, if I look for examples, and for precedents, I find them in the noblest range of English literature. Fielding, De Foe, Goldsmith, Smollett, Richardson, Mackenzie, all these, for wise purposes,

and especially the two first, brought upon the scene the very scum and refuse of the land. Hogarth, the moralist and censor of his age, in whose great works the times in which he lived, and the characters of every time, will never cease to be reflected,- did the like, without the compromise of a hair's breadth. Where does this giant stand now, in the estimation of his countrymen? And yet, if I turn back to the days in which he or any of these men flourished, I find the same reproach levelled against them every one, each in his turn, by the insects of the hour, who raised their little hum, and died and were forgotten.

Cervantes laughed Spain's chivalry away, by showing Spain its impossible and wild absurdity. It was my attempt, in my humble and far-distant sphere, to dim the false glitter surrounding something which really did exist, by showing it in its unattractive and repul'sive truth. No less consulting my own taste than the manners of the age, I endeavored, while I painted it in all its fallen and degraded aspect, to banish from the lips of the lowest character I introduced any expression that could by possibility offend; and rather to lead to the unavoidable inference that its existence was of the most debased and vicious kind, than to prove it elaborately by words and deeds. In the case of the girl, in particular, I kept this intention constantly in view. Whether it is apparent in the narrative, and how it is executed, I leave my readers to determine.

It has been observed of this girl, that her devotion to the brutal house-breaker does not seem natural, and it has been objected to Sikes in the same breath — with some inconsistency, as I venture to think - that he is surely overdrawn, because in him there would appear to be none of those redeeming traits which are objected to as unnatural in his mistress. Of the latter objection I will merely say, that I fear there are in the world some insensible and callous natures, that do become, at last, utterly and irredeemably bad. But whether this be so or not, of one thing I am certain: that there are such men as Sikes, who, being closely followed through the same space of time, and through the same current of circumstances, would not give, by one look or action of a moment, the faintest indication of a better nature. Whether every gentler human feeling is dead within such bosoms, or the proper chord to strike has rusted and is hard to find, I do not know; but that the fact is so, I am sure.

It is useless to discuss whether the conduct and character of the girl seems natural or unnatural, probable or improbable, right or wrong. IT IS TRUE. Every man who has watched these melancholy shades of life knows it to be so. Suggested to my mind long ago, by what I often saw and read of, in actual life around me, I have tracked it through many profligate and noisome ways, and found it still the same. From the first introduction of that poor wretch, to her laying her bloody