Essays and IntroductionsMacmillan, 1961 - 530 lappuses |
No grāmatas satura
1.–3. rezultāts no 74.
111. lappuse
... Blake was one of these men , and if he spoke confusedly and obscurely it was because he spoke of things for whose speaking he could find no models in the world he knew . He ... Blake and the Imagination WILLIAM BLAKE AND THE IMAGINATION III.
... Blake was one of these men , and if he spoke confusedly and obscurely it was because he spoke of things for whose speaking he could find no models in the world he knew . He ... Blake and the Imagination WILLIAM BLAKE AND THE IMAGINATION III.
116. lappuse
... BLAKE WAS THE FIRST WRITER of modern times to preach the indissoluble mar- riage of all great art with symbol . There had been allegorists and teachers of allegory in plenty , but the symbolic imagination , or , as Blake preferred to ...
... BLAKE WAS THE FIRST WRITER of modern times to preach the indissoluble mar- riage of all great art with symbol . There had been allegorists and teachers of allegory in plenty , but the symbolic imagination , or , as Blake preferred to ...
127. lappuse
... Blake , because a flaming imagination pierces through a cloudy and indecisive technique , but be- cause they have the only excellence possible in any art , a mastery over artistic expression . The technique of Blake was imperfect ...
... Blake , because a flaming imagination pierces through a cloudy and indecisive technique , but be- cause they have the only excellence possible in any art , a mastery over artistic expression . The technique of Blake was imperfect ...
Saturs
WHAT IS POPULAR POETRY? | 3 |
SPEAKING TO the Psaltery | 13 |
MAGIC | 28 |
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