Festschrift für Edgar MertnerBernhard Fabian, Ulrich Suerbaum W. Fink, 1969 - 356 lappuses |
No grāmatas satura
1.–3. rezultāts no 46.
185. lappuse
... world's a stage , " is a kind of elaboration of the motto . In any case , the ancient topos of the world as stage held a particular fascination for Shakespeare , as it did for the entire seventeenth century . One thinks readily of the ...
... world's a stage , " is a kind of elaboration of the motto . In any case , the ancient topos of the world as stage held a particular fascination for Shakespeare , as it did for the entire seventeenth century . One thinks readily of the ...
187. lappuse
... world , " dramatic art itself being the imitation of an action . The traditional topos tells us , as in Ralegh , " the world is like the theatre , " wittily noting the stagy quality life < sometimes assumes . Tradition is fond of two ...
... world , " dramatic art itself being the imitation of an action . The traditional topos tells us , as in Ralegh , " the world is like the theatre , " wittily noting the stagy quality life < sometimes assumes . Tradition is fond of two ...
191. lappuse
Bernhard Fabian, Ulrich Suerbaum. I hold the world but as the world , Gratiano - A stage , where every man must play a part , And mine a sad one.13 or , most notably , Jaques ' speech in As You Like It : All the world's a stage , And all ...
Bernhard Fabian, Ulrich Suerbaum. I hold the world but as the world , Gratiano - A stage , where every man must play a part , And mine a sad one.13 or , most notably , Jaques ' speech in As You Like It : All the world's a stage , And all ...
Saturs
Runische Inschriftzeugnisse zum Stieropferkult der | 9 |
Formen der Variation im Beowulf | 55 |
Die altenglische Klage der Frau | 65 |
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