Policing PopMartin Cloonan, Reebee Garofalo Temple University Press, 2009 - 255 lappuses Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. Policing Pop looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or religious groups to limit expression.The essays collected here focus on the forms of censorship as well as specific instances of how the state and other agencies have attempted to restrict the types of music produced, recorded and performed within a culture. Several show how even unsuccessful attempts to exert the power of the state can cause artists to self-censor. Others point to material that taxes even the most liberal defenders of free speech. Taken together, these essays demonstrate that censoring agents target popular music all over the world, and they raise questions about how artists and the public can resist the narrowing of cultural expression. |
Saturs
| 13 | |
| 30 | |
| 46 | |
Remote Control Legal Censorship of the Creative Process | 65 |
Death Metal and the Limits of Musical Expression | 81 |
Marxists in the Marketplace | 100 |
Argh Fuck KillCanadian Hardcore Goes on Trial The Case of the Dayglo Abortions | 113 |
Strelnikoff Censorship in Contemporary Slovenia | 140 |
Music in the Struggle to End Apartheid South Africa | 153 |
Confusing Confucius Rock in Contemporary China | 166 |
German Nazi Bands Between Provocation and Repression | 186 |
Popular Music and Policing in Brazil | 205 |
Challenging Music as Expression in the United States | 221 |
About the Contributors | 235 |
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album apartheid argued artists attempt audience band's banned Bitchcraft Böhse Onkelz Brazilian broadcast campaign Canadian Cannibal Corpse censor censorship of popular chapter China Chinese church Cloonan concerned copy court cultural Dayglo Abortions Death Metal Edwardh example Extreme Metal Extreme Metal scene fans freedom of expression Fringe Product Fucked genre German groups Hoffman incidents intellectual involved issue label Latin Quarter legislation London major mass material Metal Blade Records moral MP3.com music censorship music industry musicians Napster Nazi bands neo-Nazi obscene organizations perform play PMRC Policing Pop political pop music popular music potential Press prior restraint protection punk racism radio record companies record industry regime regulations released repression restrictions RIAA rock music SABC self-censorship sexual singer skinhead Slovenia social society song songwriters sorship South Africa Strelnikoff subculture tape television texts tion transgressive United violence youth
Populāri fragmenti
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43. lappuse - If any person shall infringe the copyright in any work protected under the copyright laws of the United States such person shall be liable : "(a) Injunction. — * * * ; "(b) Damages and profits; amount; other remedies. — To pay to the copyright proprietor such damages as the copyright proprietor may have suffered due to the infringement...
43. lappuse - ... (e) To perform the copyrighted work publicly for profit if it be a musical composition and for the purpose of public performance for profit; and for the purposes set forth in subsection (a) hereof, to make any arrangement or setting of, it or of the melody of it in any system of notation or any form of record in which the thought of an author may be recorded and from which it may be read or reproduced...
221. lappuse - Folk, declared that the problem of the 20th century was "the problem of the color line." He said that the problem of the twentieth century is the problem of the color-line...
221. lappuse - Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech or of the press; or the right of the people to peaceably assemble, and to petition the Government for a redress of grievances.
43. lappuse - That any person who willfully and for profit shall infringe any copyright secured by this Act, or who shall knowingly and willfully aid or abet such infringement, shall be deemed guilty of a misdemeanor...
33. lappuse - The constitutional purpose of copyright is to facilitate the flow of ideas in the interest of learning." . . . [ I ]he primary objective of our copyright laws is not to reward the author, but rather to secure for the public the...
45. lappuse - Basic Proposal for the Substantive Provisions of the Treaty on Intellectual Property in Respect of Databases to be Considered by the Diplomatic Conference.
40. lappuse - CD consumption patterns. Fully 73 percent of students who download MP3s reported that they still bought either the same number of CDs or more (Latonero 2000:2). The music industry's projection of terms like "piracy" and "theft" onto consumers has tended to deflect attention from its own less than ethical practices. In May 2000 the Federal Trade Commission settled a suit against Universal, Sony, Time Warner. BMG, and EMI involving a price-fixing scheme known as minimum advertising price programs (MAPS),...
Atsauces uz šo grāmatu
Taboo Tunes: A History of Banned Bands & Censored Songs Peter Blecha Ierobežota priekšskatīšana - 2004 |