Colour: Art and ScienceTrevor Lamb, Janine Bourriau Cambridge University Press, 1995. gada 16. marts - 237 lappuses Although we experience colour all the time, do we really understand colour? Three hundred years ago Isaac Newton showed that white light is composed of all the colours of the spectrum yet does this provide us with insight into our own personal experience of colour sensation? To answer such questions on the nature of colour this volume gathers the combined knowledge of physics, biology, history and art. It provides an exciting exploration of colour, from the diverse perspectives of experts in eight different fields of study. Their essays take us on a journey both through the sciences and the world of fine art, and they combine to give a full and rewarding view of colour. |
Saturs
The History of Colour in Art | 5 |
Colour for the Painter | 29 |
Light and Colour | 63 |
Colour Mechanisms of the Eye | 101 |
Seeing Colour | 125 |
Colour in Nature | 149 |
Colour and Culture | 173 |
Colour in Language | 192 |
Notes on Contributors | 223 |
Acknowledgements | 226 |
Index | 228 |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
absorbed absorption amino acid Ancient Greek appear artists basic colour-terms Berlin and Kay bipolar cells BK-hypothesis Bridget Riley brown Cambridge Cennino century Cézanne Chapter chiaroscuro chromatic colour constancy Colour in Nature colour system colour vision colour vocabulary coloured shadows cone cell cone pigments contrast culture dark denotation described electromagnetic English example experiments French ganglion cells gene grammaticalise green cones grey guages Hanunoo hues illumination illustrated Impressionists languages level-1 words light and colour linguists London magenta Malcolm Longair match Maxwell mixture modern modulation molecules Mollon Monet monochromatic National Gallery Newton observe optical orange painters painting pale perception photons pictorial colour pink prism pure colour purple rainbow receptive field red and green refraction region retinal rhodopsin Seurat shade signals spectral spectrum structure subsystem tetrachromat theory of colour tion Titian Titian's transducin trichromatic types of cone violet visual vocabulary of colour wave wavelength white light World monkeys yellow
Atsauces uz šo grāmatu
The First Moderns: Profiles in the Origins of Twentieth-Century Thought William R. Everdell Ierobežota priekšskatīšana - 1997 |