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With Remarks on the French Annexation. By the EARL of MAYO, F.R.G.S. With Map, 88. 6d. An ENGLISH-ARABIC DICTIONARY. By F. STEINGASS, Ph.D., of the University of Munich. 8vo. 288. The LIFE of EDWARD, LORD HAWKE, A LAND MARCH from ENGLAND to LONDON, SATURDAY, NOVEMBER 17, 1883. CONTENTS. - N° 203. NOTES:-Chaucer and William Thynne, 331-Bibliography of Beauty Theories, 382-French Folk-Song-La Perouse 384-Parallel Passages-Framework Knitters-John Limbird-"God be with us!" the Devil-A Pigeon Pair, 385 -Brine as a Female Christian Name-Talisman of Charlemagne, 386. QUERIES:-Missing Brasses-Church Brasses - A Burled House-Nicholas Breton, 386-Basariotts-"La Verge de -"Pig in the Gutter "-Mary Berclay-John Cheek, 337- REPLIES:-Lass, 339-Williamite and Jacobite Wars, 390- Modern Letter-writing, 394 Fudge-Printed Parochial every one of The Canterbury Tales. This is said to be the only known work printed by Godfray with a date to it. It contains many spurious works attributed to Chaucer, but not The Plowman's Tale. This, which I shall call No. 1, is evidently the first edition of Chaucer's complete works collected by William Thynne in 1532. There are also in the Museum two copies of an edition printed in 1542, both exactly alike, although attributed to different printers. One of these is a beautiful copy in the Grenville collection, printed by Bonham, a black-letter folio with double columns, having the printer's name on the title-page. The title is like that of No. 1, and is included within a compartment representing an arched window pane with a semi-circular top, and at the bottom, "prynted by Wyllyam Bonham dwellynge in Paules Churcheyarde at the sygne of the Kynges Armes, 1542" There are fifty-one lines to each full column, 372 leaves, and illustrations similar to those in No. 1. The compartment of the title-page is repeated before every principal poem, and it contains the letters "W. R.," showPunch Wooden Effigies - Pilling that it once belonged to the printer Rastell. Garlick-Thynne and Erasmus-Delaroche's "Cromwell," The date of 1542 is found in the colophon, but no printer's name. This edition, which I mark as No. 2, is exactly the same as the copy in the general library, attributed to the printer Reynes. This copy of No. 2 is, however, imperfect; the true title-page is missing, and the present title is made up out of a sheet of blank paper with a compartment cut out of some book printed by John Day (for it contains his name and motto) pasted on, and there is no proper title; but at the bottom, in MS., there is, "printed by John Reyne at the sigue of the St. George in Paul's Churchyarde." The colophon bears no printer's name, but is dated 1542, and the book is in all respects (except the inserted title-page) the same as Bonham's No. 2. Both these copies contain Thynne's original preface, and the poems as arranged by him, with the addition of The Plowman's Tale after The Person's Tale. The copy attributed to Reynes has many MS. notes, and has belonged to Dr. S. Wotton and to Mr. Tyrwhitt. 398-Heraldic Shield-Thel-Adumbrate, 399. NOTES ON BOOKS:-Pitt-Rivers's "Locks and Keys"Burne's Jackson's "Shropshire Folk-lore"-Day's Folk Tales of Bengal." Notices to Correspondents, &c. Notes. CHAUCER AND HIS FIRST EDITOR, WILLIAM THYNNE. Has it been clearly ascertained whether William Thynne edited any other edition of Chaucer than that printed by Godfray in 1532? There are two copies of this impression in the library of the British Museum, one in the general library, imperfect, and the other in the Grenville collection, perfect and in excellent condition. This edition is a black-letter folio of 383 leaves-an odd number-in consequence of an error in the numbering, printed in double columns with forty-eight lines in each full column. The title, within a square compartment and ornamented border containing naked boys in procession with drum and horn, carrying one on four others' shoulders, runs thus: "The workes of Geffcay Chaucer newly prynted with dyuers workes which were neuer in prynt before as in the table more playnly doth appere. Cum priuilegio." The preface consists of a dedication to King Henry VIII. by "William Thynne, chefe clerk of his kechyn." The colophon has, "prynted at London by Thomas Godfray. The yere of our lorde MDXXXII. cum priuilegio a rege indulto." The compartment of the title is repeated seven times in the book, before each principal poem, and there are woodcuts to nearly There are also in the Museum library four copies of an edition, No. 3, without date, but probably nearly contemporaneous with No. 2. This work is also a black-letter folio with double columns of fifty-three lines each; all four copies exactly alike, but attributed each to a different printer. The copies do not much differ from No. 2, but they have The Plowman's Tale before, instead of after, The Person's Tale, and they are not so well printed. They are attributed severally to |“ Wyllyam Bonham, dwellynge in Paules Churcheyarde at the sygne of the reed lyon"; "Thomas Petit, in Paules Churche yarde at the synge of the Maydens heed"; "Robert Toye, in Paules Churche yarde at the sygne of the Bell"; "Richard Kele, in Lombard Strete nere unto the Stockes Market at the sygne of the Egle." All these copies of No. 3 have the same title-page, surrounded with a square window-frame compartment, and within it, "The workes of Geffray Chaucer newly prynted with dyuers workes which were neuer in print before as in the table more playnly doth appere." They all have Thynne's preface and the same table of contents. There are no dates, and the name of the printer is in the colophon only. Evidently these four are from one impression with a different colophon for each printer. Thus it seems clear that there were three editions of Chaucer's whole works printed between 1532 and 1550 with Thynne's preface, and all founded on Thynne's first edition, viz, Godfray's of 1532. Godfray was the only printer of No. 1; No. 2 was the joint production of Bonham and Reyne, or Reynes; No. 3 the joint production of Bonham, Petit, Toye, and Kele. After 1532 the first really fresh edition is that of John Stowe, in 1561, which, however, contains Thynne's preface. But it is not so clear to me that Thynne is responsible for any other edition than that of 1532. J. MASKELL. Emanuel Hospital, Westminster. P.S.-There is, I believe, an example of Reynes's edition (No. 2) in the Lambeth Library (see Maitland's Early Printed Books, 1843). It bears the name of John Reynes at the foot of the titlepage in print, and not merely in MS. A BIBLIOGRAPHY OF BEAUTY THEORIES. (Concluded from p. 304.) 1845. Oersted (Hans Christian). Naturlehre des Schönen. Aus dem Dänischen von Zeise. Hamburg, 1845. 8vo. The soul in nature, with supplementary contributions. By Hans Christian Ersted. Translated from the German by Lenora and Joanna B. Horner. London, Henry Bohn, 1852. 8vo. The principles of beauty in colouring systematized. By David] R[amsay] Hay. W. Blackwood & Sons, Edinburgh, 1845. Macpherson & Lyme, printers. 8vo. viii+72. Fourteen coloured plates. M. The orthographic beauty of the Parthenon referred to a law of nature. To which are prefixed a few observations on the importance of aesthetic science as an element in architectural education. By D. R. Hay, F.R.S.E. William Blackwood & Sons, Edinburgh...1853. 8vo. pp. 44. Twelve plates. M. The science of beauty, as developed in nature and applied in art. By David] Ramsay] Hay, F.R.S.E... William Blackwood & Sons, Edinburgh...1856. 8vo. pp. 12+108. 23 plates. M.-A résumé of D. R. Hay's previous writings on beauty. 1846. Aesthetik, oder wissenschaft des schönen von Friedrich Theobald Vischer. Reutlingen, 1846-57. 4 vols. 8vo. Aesthetik, oder Wissenschaft des Schönen. Von Friedrich Theodor Vischer. Stuttgart, 1854. 2 vols. 8vo. 1848. Réflexions et menus-propos d'un peintre Génevois; ou, essai sur le beau dans les arts. Par R[odolphe] Topffer... Précédé d'une notice sur la vie et les ouvrages de l'auteur, par Albert Aubert... Paris, J. J. Dubochet... 1848. 12mo. 2 vols. I. pp. 4+36+342; II. pp. 4+350. 7 fr. M. Hogg's Instructor. London. Vol. ii. p. 326, The Beautiful. By J. G. Whittier. 1849. An historical inquiry into the true principles of beauty in art, more especially with reference to architecture. By James Fergusson. Part the first. London, printed by G. Barclay] for Longman, 1849. 4to. pp. 16+538. M.-Pp. 138-146, On beauty in art.-Note. Projected to consist of three parts, see p. xv, "I consider it [the introduction pages 1-174] the text, and the rest of the work merely the illustration of what is there stated."-Preface, p. xv. Westminster Review. London. Vol. liii. p. 1, Jeffrey's theory of beauty. 1850. Études céramiques. Recherche des principes du beau dans l'architecture l'art céramique et la forme en général. Théorie de la coloration des reliefs. Par J. Ziegler. Paris, Mathias...1850. 8vo. pp. 4+348. Fourteen plates in folio. M. Chambers's Edinburgh Journal, No. 330, N.S., April 27, 1850. Ideal beauty. 1852. The Leader. London. January, 1852, to May, 1854. Use and Beauty, Personal Beauty, Gracefulness. By Herbert Spencer. Essays scientific, political, and speculative. By Herbert Spencer... London, Williams & Norgate, 14, Henrietta Street...1868-68-74. 3 vols. 8vo. I. 8+452, II. 418, III. 12+342. Vol. i. pp. 429-433, Use and Beauty; vol. ii. pp. 149-162, Personal Beauty; pp. 312-318, Gracefulness M. Second edition, stereotyped. Vol. ii. Williams & NorThe principles of psychology, By Herbert Spencer. gate, 15, Henrietta Street, Covent Garden, London... 1872. 8vo. pp. 8+648. Pp. 627-648, Esthetic Sentiments. M. Form and sound, can their beauty be dependent on the same physical laws? By Thomas Purdie. Edinburgh, A. & C. Black, 1852. 8vo. Art Journal. London. Vol. iv. p. 215, 1852, Natural philosophy of the beautiful. (Notice of works of Ersted and Purdie.) 1853. Blackwood's Edinburgh Magazine. Edinburgh. Vol. Ixxiv. pp. 726-755, December, 1853, Real and ideal beauty.-A review of writings by Francis Jeffrey, J. G. Macvicar, and D. R. Hay. (By Patterson). M. 1855. Aesthetische forschungen von Adolf Zeising... Frankfurt-a-M. Verlag von Meidinger Sohn & Co., 1855. Druck von C. W. Leste in Darmstadt. 8vo. pp. 16+568. Erster Theil, Ueber das schöne überhaupt. Zweiter Theil, Ueber die verschiednen Modificationen des Schönen. Dritter Theil, Ueber das Verhältniss der verschiedenen Künste zu den verschiedenen Modifica tionen des Schönen. M. 1856. Du beau dans la nature, l'art et la poésie, Études esthétiques. Par Adolphe Pictet. Paris, Joel Cherbuliez ...1856...12mo. pp. 4+4+386+errata leaf. 3 fr. 50 c. M. 1857. Platon considéré comme fondateur de l'esthétique. Leçon d'ouverture du cours de philosophie Grecque et Latine faite le 12 Février, 1857. Par M. [Jean] Charles Lévêque... Paris, libraire d'Auguste Durand, Rue des Grès, 7, 1857. 8vo. pp. 4+52. M. La science du beau, étudiée dans ses principes, dans ses applications, et dans son histoire. Par [Jean] Charles Lévêque...Ouvrage couronné par l'Institut (Académie des sciences morales et politiques)...Paris, Auguste Durand...1861. 8vo. 2 vols. I. pp. 36+412; II. pp. 4+ 570. 15 fr. M. The beautiful in nature, art, and life. By Andrew James Symington. In 2 volumes. Vol, i. London, Long man, Brown, Green, Longmans & Roberts, 1857. 2 vols. 8vo. I. pp. 20+446; II. pp. 8+322. 21s. M. The principles of beauty. By John Addington Symonds [the elder]... London, Bell & Daldy...1857. 8vo. pp. 16+72. Eight plates. M. 1858. On beauty: three discourses delivered in the University of Edinburgh. With an exposition of the doctrine of the beautiful according to Plato. By John Stuart Blackie, Professor of Greek in the University, and of Ancient Literature to the Royal Scottish Academy, Edinburgh. Edinburgh, Sutherland & Knox. London, Simpkin, Marshall & Co., 1858. 8vo. pp. 16+270. M. Tait's Edinburgh Magazine. Edinburgh. (New Series) vol. xxv. p. 245, 1858, Blackie on beauty. The Contemporary Review. London. Vol. xliii. p. 813, June, 1883, Philosophy of the beautiful. By J. S. Blackie. Littell's Living Age. Boston, U.S.A. Vol. clviii. p. 67, July, 1883, Reprint of last-noted article. 1859. Aesthetik. Die idee des Schonen und ihre Verwirklichung durch Natur, Geist und Kunst. Von Moriz Carriere... Leipzig. F. A. Brockhaus, 1859. 2 vols. 8vo. I. pp. 14+532; II. pp. 14+634. M. The emotions and the will. By Alexander Bain. London, 1859. 8vo. 1860. Du beau dans la nature et dans l'art. Par Victor Courduveaux, docteur ès-lettres. [Quotation.] Paris, Didier, libraire, Quai des Augustins, 35. Troyes, [Typ.] Bouquot, libraire, Rue Notre-Dame, 43, 1860. 8vo. pp. 12+246. M. The conduct of life. By R. W. Emerson. London, 1860. 8vo. Culture, behavior, beauty. By Ralph Waldo Emerson. Boston [U.S.A.], James R. Osgood and Company...1876. -Printed at Cambridge. Copyright, 1860. 24mo. pp. 108. 50 cents. Being a volume of Vest-pocket series of standard and popular authors. 1861. Studien zur Geschichte der Aesthetik. Von Dr. Theodor] Sträter...I. Die idee des schönen in der Platonischen philosophie. Bonn, bei Adolph Marcus, 1861. 8vo. pp. 18+92. M. Recherches philosophiques sur les principes de la science du beau, ouvrage auquel l'Institut Impérial de France (Académie des sciences morales et politiques) a décerné une mention honorable au concours de 1860. Par Paul Voituron...Tome i. Paris, A. Bolmé... Bruxelles, A. Lacroix [printer]...1861...8vo. pp. 398. Tome ii. Paris... E. Jung-Treuttel... Bruxelles, A. Lacroix... [printer] 1861. Pp. 516. 12 fr. M. 1862. Matters of taste among common things. With a theory of taste applicable to them. London, W. Kent & Co., 1862. 8vo. pp. 8+78. M. Esthetics; or, the science of beauty. By John Bascom, professor in Williams College. Boston, Crosby & Ainsworth, 117, Washington Street, 1867. Entered 1862. Printed and stereotyped at Cambridge. 8vo. pp. 8+256. 1863. Winckelmann's Lehre vom Schönen und von der Kunst. Ein vortrag zur Winckelmanns feier am 9 December, 1862, in der akademischen Aula zu Greifswald gehalten von Dr. A. H. Baier, ordentlichem professor der philosophie. Greifswald, Druck der Königl. Uni versitäts-buchdruckerei von F. W. Kunike in Greifswald [1863]. 8vo. pp. 30. M. man. The Contemporary Review. London. Vol. i. p. 279, 1866, French Esthetics. By E. Dowden. 1869. The theory of the arts; or, art in relation to nature, civilization, and By George Harris. London, 1869. 2 vols. 8vo. 1871. Sermons preached before the University of Oxford and ea various occasions. By J[ames] Bowling] Mozley, D.D., Regius Professor of Divinity, Oxford, and Canon of Christ Church. Rivingtons, London, Oxford, and Cambridge. [Printed by R. & R. Clark, Edinburgh.] 1876. 8vo. pp. 2+12+348. Pp. 138-163, Sermon vi., Nature. Preached Sunday afternoon, May 7, 1871. 1872. The science of aesthetics; or, the nature, kinds, laws, and uses of beauty. By Henry Noble Day. New Haven, Conn., U.S.A., 1872. Crown 8vo., plates. Another edition, with new title: The principles of æsthetics. New York, Putnam, 1872. Another edition, 1876. 12mo. 2 dols. 25 cents. Illustrated. 1873. Tyler (Samuel). Theory of the beautiful. New York, Murphy, 1873. 12mo. 50 cents. Southern Review. (New Series.) Baltimore. Vol. xv. p. 243. Tyler's theory of the beautiful. 1874. Lectures on the beautiful and sublime in nature and morals. By the Rev. George Mather. London, Wesleyan Conference Office, 2, Castle Street, City Road, 1874. 8vo. 2s. 6d. The descent of man and selection in relation to sex. By C. R. Darwin. Second edition. London, J. Murray, 1874. 8vo. Ideas of beauty, pp. 92, 410-414, 540, 541, 573-585, 595, 596. M. 1875. Eclectic Magazine. New York. Vol. lxxxvi. p. 291, Beauty and utility. By W. E. Gladstone. 1876. The witness of art, or the legend of beauty. By Wyke Bayliss... London, Hodder & Stoughton, Paternoster Row, 1876. 8vo. pp. 214. M. Vorschule der Aesthetik von Gustav Theodor Fechner. Erster Theil. Leipzig, Druck und Verlag von Breitkopf & Härtel, 1876. 8vo. pp. 8+264. Mind. London. Vol. ii. p. 102, 1877, Fechner's Esthetics. By J. Sully. 1877. Physiological Esthetics. By Grant Allen, B.A. Henry S. King & Co., London, 1877. 8vo. pp. 12+ 284. M. The colour-sense: its origin and development. An essay in comparative psychology. By Grant Allen... London, Trübner & Co...1879...8vo. pp. 12 and 282. M. 1878. The philosophy of the beautiful. By George John Romanes. A discourse arranged to be delivered before the Royal Institution of Great Britain on the 5th of April, 1878.-This discourse was not delivered, and has not yet been published. Die Physiologie des Schönen. Von S. A. Byk. Leip zig, Verlag von Moritz Schäfer, 1878. 8vo. pp. 8+238. M.' Revista Contemporánea. Madrid, 1875, &c. 8vo. Eight numbers, ending Feb. 28, 1879. Las causas de lo bello segun los principios de Santo Tomás. Being a translation by Prof. E. Danero from the original of Luigi Tapparelli d'Azeglio. L'Esthétique. Par Eugène Véron... Paris, C. Reinwald & Cie...1878. 8vo. Pp. 26+480. Chapitre vi. M Esthetics. By Eugène Véron. Translated by W. Armstrong. London, Chapman & Hall, 193, Piccadilly, 1879. 8vo. 7s. 6d. The Quarterly Journal of Science. London. 8vo. Vol. viii. (N.S.) pp. 374-385 (No. 59, July, 1878), The Evolution of Beauty. By F. T. Mott, F.R.G.S. M. Western. St. Louis, U.S.A. Vol. iv. p. 78, 1878, Principle of beauty in ancient sculpture. By J. M. Tracy. 1879. The science of taste; being a treatise on its principles. By G. L. With 105 illustrations by the author. London, Edward Stanford, 55, Charing Cross, S.W., 1879. 8vo. pp. 8+250. Portrait and two plates. 12s.-P. 1: "Taste may be concisely defined as the capability of appreciating the beautiful, and the beautiful is, primarily, that which by attracting the eye satisfies and elevates the mind." M. The cause of colour among races, and the evolution of physical beauty. By Wm. Sharpe, M.D...London, David |