The Writer, 40. sējumsWriter, Incorporated, 1928 |
No grāmatas satura
1.–5. rezultāts no 100.
. lappuse
... , but will print romantic fiction also , if it avoids the sentimental and pseudo- uplift . Sets length limit at 2,500 words , does not buy photographs , and pays after publica- tion . Volume 40 Number 1 I ' N the field of.
... , but will print romantic fiction also , if it avoids the sentimental and pseudo- uplift . Sets length limit at 2,500 words , does not buy photographs , and pays after publica- tion . Volume 40 Number 1 I ' N the field of.
3. lappuse
... tion in terms of emotional appeal . To plot well , he must realize that there is a skeleton outline to every story , and he must be able to visualize his story within that skeleton outline as a series of scenes . Until he can do that ...
... tion in terms of emotional appeal . To plot well , he must realize that there is a skeleton outline to every story , and he must be able to visualize his story within that skeleton outline as a series of scenes . Until he can do that ...
18. lappuse
... tion in the form of a riddle , embellishing the object they were describing with all sorts of picturesque and misleading fan- cies , sometimes they used definition to express their own opinion of the subject under discussion . But very ...
... tion in the form of a riddle , embellishing the object they were describing with all sorts of picturesque and misleading fan- cies , sometimes they used definition to express their own opinion of the subject under discussion . But very ...
19. lappuse
... tion , Love . But , continuing , we find that Love is Eternity , and the two smoky ab- stractions meet , dilute each other , and vanish in a thin vapour . We return , then , to the sea , and discover that Love is sometimes stormy and ...
... tion , Love . But , continuing , we find that Love is Eternity , and the two smoky ab- stractions meet , dilute each other , and vanish in a thin vapour . We return , then , to the sea , and discover that Love is sometimes stormy and ...
21. lappuse
... tion as I possessed . It has been enjoyed by people whose personal memory runs back much farther than mine . One re- viewer even gave me credit for having lived during the entire period of which I wrote ! When I returned to America in ...
... tion as I possessed . It has been enjoyed by people whose personal memory runs back much farther than mine . One re- viewer even gave me credit for having lived during the entire period of which I wrote ! When I returned to America in ...
Saturs
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acceptance advertising amateur American appeared April WRITER Atlantic Monthly Avenue awarded Ben Ames Williams best poem biography Boston boys buys photographs cent a word characters Chicago CHIG Company Contest closes copy criticism Details dollars dramatic editor essays fiction Fiction House Fifth Ave free verse girls Harvard Square Henry Seidel Canby Herbert Baxter Adams humorous idea interest issue Joseph Pulitzer Journalism June WRITER Justin Winsor prize letters lines lished literary literature living magazine manuscripts March WRITER Mass material ment month never newspaper novel novelettes one-act play paper payment pays person plot poet poetry printed Prize Contest prize novel PRIZE OFFERS prose publication published readers Review ROBERT HILLYER royalties sent serials Sets length limit short stories sketch Street submitted tell things tion UNIV West William written York young
Populāri fragmenti
178. lappuse - I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.
19. lappuse - MY soul, sit thou a patient looker-on; Judge not the play before the play is done : Her plot hath many changes ; every day Speaks a new scene ; the last act crowns the play.
214. lappuse - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
107. lappuse - The sky was clear - remarkably clear - and the twinkling of all the stars seemed to be but throbs of one body, timed by a common pulse. The North Star was directly in the wind's eye, and since evening the Bear had swung round it outwardly to the east, till he was now at a right angle with the meridian. A difference of colour in the stars - oftener read of than seen in England - was really perceptible here. The...
107. lappuse - To persons standing alone on a hill during a clear midnight such as this, the roll of the world eastward is almost a palpable movement. The sensation may be caused by the panoramic glide of the stars past earthly objects, which is perceptible in a few minutes of stillness, or by...
67. lappuse - For the original American play, performed in New York, which shall best represent the educational value and power of the stage in raising the standard of good morals, good taste, and good manners ($1,000).
165. lappuse - Genevieve in my student days, I have wished that I could try something a little like that in prose; something without accent, with none of the artificial elements of composition.
178. lappuse - I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartanlike as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account...
104. lappuse - THEY told me, Heraclitus, they told me you were dead ; They brought me bitter news to hear and bitter tears to shed. I wept, as I remembered, how often you and I Had tired the sun with talking and sent him down the sky.
79. lappuse - I should like to strip the novel of every element that does not specifically belong to the novel. Just as photography in the past freed painting from its concern for a certain sort of accuracy, so the phonograph will eventually no doubt rid the novel of the kind of dialogue which is drawn from the life and which realists take so much pride in. Outward events, accidents, traumatisms, belong to the cinema. The novel should leave them to it.