The Writer, 40. sējumsWriter, Incorporated, 1928 |
No grāmatas satura
1.–5. rezultāts no 99.
. lappuse
... Criticism of Critics , Hillyer , 249 Crosby , Katharine , How Can I Earn a Living by Writing ? 367 Dana , Charles ... Criticism of Verse , 76 , 114 , 146 , 193 , 230 , Criticism of Critics , 249 , The Litera- ture of Escape , 299 ...
... Criticism of Critics , Hillyer , 249 Crosby , Katharine , How Can I Earn a Living by Writing ? 367 Dana , Charles ... Criticism of Verse , 76 , 114 , 146 , 193 , 230 , Criticism of Critics , 249 , The Litera- ture of Escape , 299 ...
. lappuse
... Criticism , Tanner , 55 , 84 , 163 , 186 Publishers , American : Little , Brown & Company , 69 , The House of Harper , 103 , Henry Holt & Company , 211 Radio Dramatists , Technique for , Knapp - Jones , 4 Roberts , W. H. , The Taj Mahal ...
... Criticism , Tanner , 55 , 84 , 163 , 186 Publishers , American : Little , Brown & Company , 69 , The House of Harper , 103 , Henry Holt & Company , 211 Radio Dramatists , Technique for , Knapp - Jones , 4 Roberts , W. H. , The Taj Mahal ...
2. lappuse
... critic steps in . A good critic can easily point out to a writer that his task falls into two gen- eral categories - that of plotting a story , and that of presenting the scenes within . his story in an interesting fashion . The ...
... critic steps in . A good critic can easily point out to a writer that his task falls into two gen- eral categories - that of plotting a story , and that of presenting the scenes within . his story in an interesting fashion . The ...
4. lappuse
... critic can indicate your faults and suggest methods of improvement . But that is only start- ing your feet upon the long , long road . You must do the walking yourself . He can help you to cut down your period of apprenticeship by ...
... critic can indicate your faults and suggest methods of improvement . But that is only start- ing your feet upon the long , long road . You must do the walking yourself . He can help you to cut down your period of apprenticeship by ...
5. lappuse
... critic called the high water mark in English poetry : " Night's candles are burned out , and jocund day Stands tiptoe on the misty mountain top . " To a keen imagination , it works just as well as the spots and floods and borders with ...
... critic called the high water mark in English poetry : " Night's candles are burned out , and jocund day Stands tiptoe on the misty mountain top . " To a keen imagination , it works just as well as the spots and floods and borders with ...
Saturs
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226 | |
248 | |
261 | |
262 | |
269 | |
270 | |
299 | |
50 | |
61 | |
69 | |
89 | |
93 | |
111 | |
122 | |
142 | |
203 | |
301 | |
306 | |
308 | |
326 | |
335 | |
360 | |
363 | |
381 | |
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Populāri fragmenti
178. lappuse - I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.
19. lappuse - MY soul, sit thou a patient looker-on; Judge not the play before the play is done : Her plot hath many changes ; every day Speaks a new scene ; the last act crowns the play.
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165. lappuse - Genevieve in my student days, I have wished that I could try something a little like that in prose; something without accent, with none of the artificial elements of composition.
178. lappuse - I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartanlike as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account...
104. lappuse - THEY told me, Heraclitus, they told me you were dead ; They brought me bitter news to hear and bitter tears to shed. I wept, as I remembered, how often you and I Had tired the sun with talking and sent him down the sky.
79. lappuse - I should like to strip the novel of every element that does not specifically belong to the novel. Just as photography in the past freed painting from its concern for a certain sort of accuracy, so the phonograph will eventually no doubt rid the novel of the kind of dialogue which is drawn from the life and which realists take so much pride in. Outward events, accidents, traumatisms, belong to the cinema. The novel should leave them to it.