COPYRIGHT ENTRIES PUBLISHED BY AUTHORITY OF THE ACTS OF CONGRESS OF MARCH 3, 1891 The act of March 4, 1909, going into effect July 1, 1909, provides that the Catalogue of Copyright Entries "shall be admitted in any court as prima facie evidence of the facts stated therein as regards any copyright registration." THE EXPLANATIONS TO BE NOTED BY USERS OF THIS CATALOGUE NHE Catalogue of Copyright Entries is published in four parts. Part 3, containing the entries for musical compositions and dramatico-musical compositions, is issued at monthly intervals in twelve numbers each year, and is followed by a complete index for the year. The general arrangement is an alphabet of the titles of the musical works with certain exceptions explained hereafter. The arrangement is alphabetical under the first word of the title (except “a,” “an,” or “the," or the corresponding foreign articles), and a grouping at the end of the title alphabet of such titles as will not conveniently alphabetize (e. g., titles beginning with numerals, dates, etc.). EXCEPTIONS.—(1) In the case of editions of classical music, instead of distributing them under the titles, each author's works are brought together by an entry under the original composer's name, and for such works search should be made in this number under the following names: Bach (Johann Sebastian); Balfe (Michael William); Beethoven (Ludwig van); Brahms (Johannes); Chopin (Frédéric François); Donizetti (Gaetano); Gounod (Charles François); Grieg (Edvard Hagerup); Händel (Georg Friedrich); Haydn (Franz Josef); Liszt (Franz); MacDowell (Edward Alexander); Massenet (Jules Emile Frédéric); Mendelssohn-Bartholdy (Jacob Ludwig Felix); Moszkowski (Moritz); Mozart (Wolfgang Amadeus); Offenbach (Jacques); Puccini (Giacomo); Raff (Joseph Joachim); Rubinstein (Anton Gregorovitch); Saint-Saëns (Charles Camille); Schubert (Franz Peter); Strauss (Richard); Tschaikowsky (Peter Iljitch); Verdi (Giuseppe); Wagner (Richard). (2) COLLECTIONS having general titles, such as "Fünf studien,” “12 études élémentaires," etc., and pieces published without individual identifying titles, but designating the class of musical work (e. g., "waltz," "dance," "march," "cantata," "schottische," "nocturne," "impromptu," "sonata," " étude,” "study," ," "exercise," etc., without differentiating words and only identifiable by the name of the composer) are entered under the composer's name without cross reference from the titles, and search should only be made under the names of the composers. IMPRINTS.-As the publishers of musical compositions are generally also the claimants of copyright, the imprint is omitted, but when the name and address of the publisher differ from those of the copyright proprietor, mention of the fact is made at the end of the title as an imprint, giving place of publication and name of publisher. des ny de po- is EXPLANATIONS TO BE NOTED BY USERS OF THIS CATALOGUE Piano music is understood to be for two hands unless otherwise stated. To save space in the Catalogue, the Copyright notice after each title is ab- is A list of copyright renewals made for musical compositions under section 24 The final number, completing the volume, is followed by a full annual index Under the provisions of the act of Congress, approved May 23, 1928, the prices Part 1, Group 1, Books proper------ $3.00 Part 1, Group 2, Pamphlets, Contributions to Newspapers or Periodicals, 3.00 Part 1, Group 3, Dramatic Compositions and Motion Pictures... 2.00 Part 2, Periodicals.. 2.00 e Part 3, Musical Compositions 3.00 ble Part 4, Works of Art, Photographs, Prints, and Pictorial Illustrations.... 2.00 he Annual Indexes, each, for complete calendar year_ .50 NOTICE The Copyright Act of 1909 provides that of the articles deposited The Act further provides that any article undisposed of as above NOTICE is, therefore, hereby given to any author, copyright pro- This notice includes any printed and published copyright deposits, To secure such possible return the claimant of copyright of record |