The Poetry CircusHawthorn Books, 1967 - 249 lappuses Frontal attack on the sloppiness, pretense, and sensationalism that prevail in much of contemporary poetry. |
No grāmatas satura
1.–3. rezultāts no 10.
118. lappuse
... suggest A patient etherised upon a table ; In vain . I simply wasn't able . In typical modern realism such as this from Robert Lowell's For the Union Dead , we likewise find no dazzling perceptiveness : You read the New York Times every ...
... suggest A patient etherised upon a table ; In vain . I simply wasn't able . In typical modern realism such as this from Robert Lowell's For the Union Dead , we likewise find no dazzling perceptiveness : You read the New York Times every ...
132. lappuse
... suggest that good poetry could not have been written on these themes . But it remains true that no good poetry was written , and that some of Erasmus Darwin's verses now sound slightly ridiculous . Yet here was a precedent for the ...
... suggest that good poetry could not have been written on these themes . But it remains true that no good poetry was written , and that some of Erasmus Darwin's verses now sound slightly ridiculous . Yet here was a precedent for the ...
171. lappuse
... suggest- ing the spread of the fire by the widening spaces between the letters of the craftily chosen key word ' conflagration , ' which is necessarily presented in a disordered form to indicate the confusion and terror of the ...
... suggest- ing the spread of the fire by the widening spaces between the letters of the craftily chosen key word ' conflagration , ' which is necessarily presented in a disordered form to indicate the confusion and terror of the ...
Saturs
Introduction | 9 |
The Plodding Muse | 13 |
How to Write a Modern Poem | 24 |
Autortiesības | |
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American Poetry amid Anthology Arthur Davison Ficke Auden beauty beneath blank verse century Collected Poems contemporary course critics dark dead death dream Dylan Thomas E. E. Cummings earth edited elegy emotion English Ern Malley example expression eyes Ezra Pound face fact feeling freedom heart human imagination John Keats light lines literary look lumber truck Malley Marianne Moore Masefield mean mind modern poet Modern Verse modernists mood never night obscurity offerings passage phrase poet poet's poetic prize prose prosy quoted reader recent rhyme and meter rhythm Robert Shakespeare Shelley singing sleep song sonnet soul spirit stanzas stars Stephen Vincent Benét suppose T. S. Eliot technique Tennyson theme things thought tion traditional trite true ugliness vision W. H. Auden William Carlos Williams words writer York