The Poetry CircusHawthorn Books, 1967 - 249 lappuses Frontal attack on the sloppiness, pretense, and sensationalism that prevail in much of contemporary poetry. |
No grāmatas satura
1.–3. rezultāts no 10.
171. lappuse
... represented by critics of the school of M. L. Rosenthal . Then do these words express a profound insight , a penetrating analysis of an able poem ? Not at all ! I myself , without the ghostliest attempt at poetic accomplishment ...
... represented by critics of the school of M. L. Rosenthal . Then do these words express a profound insight , a penetrating analysis of an able poem ? Not at all ! I myself , without the ghostliest attempt at poetic accomplishment ...
207. lappuse
... represented progress , this all represented experimentation , even if not to the radical extent of abandoning all yesterday's gains and beginning anew as if poetry were a contemporary invention . In the progressives of yesterday we see ...
... represented progress , this all represented experimentation , even if not to the radical extent of abandoning all yesterday's gains and beginning anew as if poetry were a contemporary invention . In the progressives of yesterday we see ...
211. lappuse
... represents no constructive- ness or progress . This represents anarchy - an anarchy in which , as when bad currency drives out good according to the economic prin- ciple known as Gresham's Law , the false poetry expels the true , until ...
... represents no constructive- ness or progress . This represents anarchy - an anarchy in which , as when bad currency drives out good according to the economic prin- ciple known as Gresham's Law , the false poetry expels the true , until ...
Saturs
Introduction | 9 |
The Plodding Muse | 13 |
How to Write a Modern Poem | 24 |
Autortiesības | |
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American Poetry amid Anthology Arthur Davison Ficke Auden beauty beneath blank verse century Collected Poems contemporary course critics dark dead death dream Dylan Thomas E. E. Cummings earth edited elegy emotion English Ern Malley example expression eyes Ezra Pound face fact feeling freedom heart human imagination John Keats light lines literary look lumber truck Malley Marianne Moore Masefield mean mind modern poet Modern Verse modernists mood never night obscurity offerings passage phrase poet poet's poetic prize prose prosy quoted reader recent rhyme and meter rhythm Robert Shakespeare Shelley singing sleep song sonnet soul spirit stanzas stars Stephen Vincent Benét suppose T. S. Eliot technique Tennyson theme things thought tion traditional trite true ugliness vision W. H. Auden William Carlos Williams words writer York