Moral Rights and the Motion Picture Industry: Hearing Before the Subcommittee on Courts, Intellectual Property, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One Hundred First Congress, Second Session, January 9, 1990, 4. sējumsU.S. Government Printing Office, 1991 - 437 lappuses |
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1.5. rezultāts no 32.
2. lappuse
... final say on whether a film should be altered . We have held five hearings on this issue in the past . The first two led to the Congress's decision to join the Berne International Copyright Convention , which declares a certain level of ...
... final say on whether a film should be altered . We have held five hearings on this issue in the past . The first two led to the Congress's decision to join the Berne International Copyright Convention , which declares a certain level of ...
5. lappuse
... FINAL SAY ON WHETHER A FILM SHOULD BE ALTERED . WE HAVE HELD FIVE HEARINGS ON THIS ISSUE IN THE PAST . THE FIRST TWO LED то CONGRESS'S DECISION ΤΟ JOIN THE BERNE COPYRIGHT CONVENTION , WHICH REQUIRES A CERTAIN LEVEL OF PROTECTION FOR ...
... FINAL SAY ON WHETHER A FILM SHOULD BE ALTERED . WE HAVE HELD FIVE HEARINGS ON THIS ISSUE IN THE PAST . THE FIRST TWO LED то CONGRESS'S DECISION ΤΟ JOIN THE BERNE COPYRIGHT CONVENTION , WHICH REQUIRES A CERTAIN LEVEL OF PROTECTION FOR ...
24. lappuse
... final cut " version that is ultimately released to the public in theatres . the I'll agree that the more established a director , the greater the leverage he or she has to expand upon the rights in the Guild agreement . -- But I also ...
... final cut " version that is ultimately released to the public in theatres . the I'll agree that the more established a director , the greater the leverage he or she has to expand upon the rights in the Guild agreement . -- But I also ...
41. lappuse
... final work , with virtually all such contributions credited in accordance with collective bargaining agreements and industry practice . It is simply wrong to suggest that only the director , or only the screenwriter , or only the two in ...
... final work , with virtually all such contributions credited in accordance with collective bargaining agreements and industry practice . It is simply wrong to suggest that only the director , or only the screenwriter , or only the two in ...
45. lappuse
... final work ? ( After all , what's the first thing you think of when I say " Chariots of Fire " distinctive theme song ? ) Isn't the contribution of a choreographer central to the success or failure of a musical or dance film such as ...
... final work ? ( After all , what's the first thing you think of when I say " Chariots of Fire " distinctive theme song ? ) Isn't the contribution of a choreographer central to the success or failure of a musical or dance film such as ...
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20th Century-Fox A.S.C. Joseph A.S.C. Robert actor adaptation agreement amended American artists ASPHALT JUNGLE Beaver BERMAN Berne Convention black and white Black-and-white broadcast career producer Chairman changes cinematographer claim collective bargaining colorised Columbia CONGRESS THE LIBRARY contract copyright law Copyright office copyright owner court creative contributors creative rights creators DANTE Deal8 Directors Guild distribution FITZSIMONS FRAKER going guarantee Guild of America Harry Stradling hereunder HUSTON integrity issue Joseph Ruttenberg KASTENMEIER labeling Lanham Act legislation Leon Shamroy LIBRARY OF CONGRESS license MADDOW markets material alteration Mayer MCA's McHale's Navy Metro-Goldwyn-Mayer moral rights motion picture motion picture industry movie Munsters National Film negotiations NOLAN original Leave panning and scanning Paragraph Paramount parties Prod protect pursuant receipts recoupment Robert Surtees ROBINSON screenwriter section 43(a security interest STANLEY studio subcommittee SYNAR technologies television theatrical TURNER Twenty Episodes videocassettes Warner Bros WWOR
Populāri fragmenti
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